Friday, March 25, 2011

Review: The Devil's of D-Day

The Devil's of D-Day             
by Graham Masterson

Date Published: 1979
Publisher: Sphere Books Ltd.
Format: Paperback
Pages: 180

Reviewed by Matthew Tait

This is the kind of review that deserves the title ‘from the vault.’ Somewhat tacky, but useful in the dismantling of an older work. After previously tackling numerous new releases, I found a brief window to embark upon something smaller. Oftentimes a reader, much like a writer, might feel the need to take a step back in between longer projects. (In King’s world think The Body and Apt Pupil in between longer works like The Dead Zone and The Dark Half). For my own part exploring the vast catalogue of the Graham Masterson factory has always been something on the agenda.

Over thirty years after the infamous D-Day landings, Dan McCook returns to Normandy as nothing more than a cartographer for a book about World War Two. In his travels he encounters two men who whisper of battlefield ghosts and point the way to an abandoned allied tank. Deciding a picture might be good for the book he locates the rusted hulk and bumps into a farmer’s daughter (Madeleine) who illuminates the rumors of hauntings that have affected the area … with the derelict tank a central-crux for the malign anecdotes. After consulting a local priest on the tank and its history, Dan McCook then decides it’s high time to solve the conundrum and open it up. Suddenly he is swept up into an ancient world where thirteen demons who inhabited the realm as flesh desire to walk again …

Graham’s first person narration is clear and home-spun. We have here a prolific author who was born to write (I can’t put it more simply). There’s an everyman quality to it, layers of prose injected with a rare quality that is reminiscent of James Herbert without the English nuances. At the time of publication I doubt it was meant to feel nostalgic, but traversing through Normandy under bleak skies and snowy environs with the Devil of swords, daggers, and razors as a constant companion the reader will feel just that. One of the hazards with this kind of book is the supernatural material; one might find that during this modern era the threat of Satan and Demons (biblical baddies) parading around in fiction just isn’t scary. But we remember the story was conceived at the time of The Omen and The Exorcist. Knowing this, a reader can happily suspend belief and get lost in the tale.   

At times the climax is somewhat ill-fitting; Graham describes wonderful, hellish creatures almost Lovecraftian in their finery, but then has them espouse language like uneducated humans. All that aside, the images are harrowing and graphic; the dues ex machina involving a certain character ultimately one that pays off. Highly recommended for those wanting to take a trip down horror's memory lane.


Thursday, March 24, 2011

Review: Archangel's Consort

Archangel's Consort
(Guild Hunter, book 3)

by Nalini Singh

Date Published: February 2011
Publisher: Gollancz
Format: Paperback
ISBN: 9780575095779
Pages: 324


Reviewed by Stephanie Gunn


In the world of the Guild Hunter books, archangels, the most powerful of the angels, rule the world. Angels possess the ability to turn humans into vampires, which they do in return for a binding contract. Guild Hunters use special abilities to track rogue vampires who break their contracts.

Elena is a Guild Hunter who has the unusual ability to track angels as well as vampires. She is also romantically entangled with the archangel Raphael, whose presence in her life caused vast upheavals in the previous two books.

Elena and Raphael return to their lives in Angel Tower to find their stable world beginning to fragment. It begins with a seemingly insane vampire who attacks a girl’s school. Elena is called in to investigate, and discovers that one of the vampire’s victims was her sister’s best friend. The need to console and protect her sister brings her back into conflict with her family and father, who rejected her because of her Guild Hunter talents.

More vampires appear to succumb to insanity, and worse, the affliction begins to move to the angels and archangels, with even Raphael becoming erratic in his behaviour. These changes extend to the earth itself, with massive earthquakes and tsunamis devastating several countries. These events point to only one thing: one of the powerful slumbering archangels is rising.

Elena continues to be a strong heroine, assertive and determined even when powerful angels seek to dominate her. Her relationship with Raphael will doubtless continue to please readers who are fans of them, with many fairly explicit sex scenes scattered through the book.

However, the focus on the sex and relationship detracts from the rest of the book. The previous two books wove both threads together in a good balance, but in this book, it feels like the sex scenes act mostly to interrupt the main plot. The main plot itself – the rising of the slumbering archangel – is long and drawn out, with the actual climax feeling rushed and, as a result, fairly unsatisfactory. More, few of the characters show actual growth in this book.

Fans of the romance in this series will likely enjoy this installment. However, if you’re interested in both the romance and the general plot and worldbuilding, you may be disappointed.

Wednesday, March 23, 2011

Review: I Kill Monsters: Fury

Tony Monchinski, 2010

It's August 1998: NYC is sweltering, Jay-Z is on the airwaves, Monica Lewinsky is in the news, and the city that never sleeps is being plagued by a series of horrific murders. Enter Boone, a violent, steroid-shooting, racist asshole - and terrible shot, to boot - who runs with a mob that make their living robbing vampires. Yep. Vampires. And it's a lucrative gig - until they rob the wrong bloodsucker, and find themselves in a fight for their lives, alongside gangsters, djinn, porn stars, and thieves, in the seedy underbelly of a city suffering the fury of a mythical beast...

On the back of two of the very best apocalyptic zombie novels I've ever read (Eden, and its sequel, Crusade) comes a tale - the first in a series - that absolutely puts the bite back into vampire fiction. Far from looking to rewrite the vampire myth, Monchinski does what he does best and sets his very traditional monsters against an array of brilliantly conceived and unique modern characters. It's fair to say, in fact, that Monchinski's characters are the novel, as the plot itself is so slight and linear as to be almost non-existent, although this matters not a jot as the interplay and dialogue between characters satisfies on every level. Think Dracula meets an ultra-brutal version of Pulp Fiction, and you'll have at least an inkling of what I'm talking about.

I Kill Monsters: Fury is a self-published novel, and admittedly does suffer from some of the hallmarks of such a product (most notably, the novel could have done with a really good copy-edit prior to seeing print); it's a testament to the power of Monchinski's writing, however, that regardless of such annoyances I was unable to put this amazing novel down for even a moment.

Fury is currently available via Amazon; here's hoping some major international publisher 'discovers' Monchinski's back-catalogue soon, and gives his books the readership they deserve by getting them into bookshops as well.

Friday, March 18, 2011

Review: The Haunting of James Hastings

The Haunting of James Hastings
by Christopher Ransom

Date Published: 2010
Publisher: Hatchette Australia
Format: 'C' trade paperback
ISBN: 9781847443717
Pages: 360

Reviewed by Matthew Tait

Following up an astonishing debut is never an easy thing. Whether under the guise of music or the auspices of horror literature, proving to the masses that lightening can strike more than once can fill the creative heart with dread. It was two years ago now that Christopher Ransom delivered to us The Birthing House … a kind of wandering homage to the ghost story’s of old – but bristling with new enthusiasm and a modern take. Although riddled with some of the pitfalls of a first appearance – it still managed to be a beautiful nativity-fabled gothic that gives it a pride of place on any bookshelf.

Some authors like to wear many hats, but it was apparent that with his sophomore effort Christopher is setting up shop and carving out his own niche of the modern ghost story. After a quick perusal I knew that what we have here is more of the same - but that was fine by me. Sometimes writers (like musicians), will stick to a formula that sets them apart. It becomes a kind of territory … a backwater where the imagination can frolic.

James Hastings is a body double for the widely successful hip hop artist Ghost, an obvious literary reverence or echo to the real life Eminem. (This aspect was a mild turn-off at first, but we give the writer the benefit of the doubt and see he is more than capable of holding up a mirror to our own world in a brutal and somewhat enlightening way). After the death of his wife Stacey in a small but mysterious accident, James – like his alter ego Ghost – goes on a sabbatical to deal with his grief. Soon his neighbors come to his attention, and after purchasing a telescope, a spying game then ensues. After the death of his next-door-neighbor after a heart attack, a new resident moves in. She is young, alone, and bares a striking resemblance to Stacey. A relationship is then forged, and James goes on an odyssey of pain and learning – tempered by the haunting reality of Stacey’s ever too real presence. Not only in his house … but in the eyes of his new neighbor Annette.

As avid readers of dark and speculative fiction (I assume you all are), most of us know the correlation between music and fiction: they feed each other – both giving rise as influences so the other exists. And that’s what we have with The Haunting of James Hastings: a striking hybrid of gothic romance novel and a CD box set choc full of lyrical extras. Like his previous book, it does take the cue from novels like Rebecca and Bag of Bones, but I found at its heart a beautiful illustration of domestic married life and how emotions can be woven into the brick and mortar of houses. As a fan of first person narration only second, Christopher’s homely voice is so easy and accessible you won’t even know that it is. A decidedly male voice … but one that resonates with this reviewer.  

The Birthing House had a climax that seemed to raise more questions than answers, but you’ll find the revelations ladled on in The Haunting of James Hastings to be just as hair-raising and surprising than anything an early M. Night Shyamalan could dream up.


Wednesday, March 16, 2011

AHWA seeks volunteers for officer and committee roles

The Australian Horror Writers Association (AHWA) is seeking volunteers (members of the organisation) who would like to take on officer roles.

The AHWA is currently seeking a Treasurer, an Executive Editor for Midnight Echo magazine, a general committee member, a Chat Room manager for the website, and a Market Hive manager for the website.

If you're interested in supporting Aussie horror, volunteering to nominate for one of these roles is a great way to help your fellow writers!

For further information including the range of responsibilities of given roles, please contact AHWA President Leigh Blackmore ahwa@australianhorror.com


Source: Leigh Blackmore

Tuesday, March 15, 2011

Snap to screen at A Night of Horror

Melbourne film-makers Cameron Oliver and Mark Smith-Briggs short film Snap will be screened as part of next month's Sydney A Night of Horror program.

The film will be screened as part of the program's Australian Horror Showcase - Short Films section on Wednesday, April 6 at the Metro Screen, Cnr Oatley Rd and Oxford St, Paddington.

Tickets are available at the door

For screening details on the short film segment and other films visit the festival's website.

Monday, March 14, 2011

Review: City of Ghosts


City of Ghosts

(Downside Ghosts #3)
by Stacia Kane

Date Published: August 2010
Publisher: Harper Voyager
ISBN: 9780007352845
Format: Paperback
Pages: 416
RRP: $24.99

Reviewed by Stephanie Gunn


City of Ghosts is the third book in Stacia Kane’s urban fantasy series, Downside Ghosts.

In the world of Downside Ghosts, ghosts have risen. In one week – dubbed “Haunted Week” – all of the ghosts in the world rose and killed half of the world’s living population. Religions were powerless against the ghosts, as were the world’s governments and militaries. The Church of Truth alone prevailed, sending the ghosts back to the underworld. In the wake of this, the Church remained as the only power.

Chess works as a Debunker for the Church, investigating supposed hauntings and banishing any ghosts she encounters. Chess has lived a hard life: raised in a series of abusive foster homes, she turned to drugs for relief. Now, as an adult, she lives with a strong addiction, her life dictated by pills.

Chess is called in when dismembered corpses begin to appear on the streets of Downside, the Church setting her to work on the case alongside an agent from the elite Black Squad. Chess also agrees to a magical Binding, which prevents her from talking about the case on pain of her very life.

This book steps back somewhat from the previous books, in that Chess’ drug addiction is a background to the action, rather than being a central plot. There is also more of a focus on the relationship plots that threaded through the previous books, as Chess is forced to face up to her past actions and to decide what it is that she wants.

Chess continues to be a fascinating protagonist. She is deeply flawed, but is very much a product of the darkness of her world. Seeing her in action in this book is satisfying – she comes across as being very human, unaware of just how capable she is as she struggles to find her way through challenges.

The world of the Downside Ghosts continues to be complex and intriguing, and one has the feeling that Kane has only just scratched the surface of both the world and of Chess.

This series continues to be highly recommended, and should be a must read for any urban fantasy fan.




Friday, March 04, 2011

Review: The Guardians

The Guardians
by Andrew Pyper

Date published: March 2011
Publisher: Orion Books
ISBN: 9781409122555
Format: Trade paperback
Pages: 366 pages
RRP: $32.99

Reviewed by Tony Owens

Trevor is returning to his hometown for the funeral of Ben, a childhood friend. Ben killed himself after years of self-imposed confinement to his upstairs bedroom, sitting at his window and keeping watch on the Thurman house across the road. Along with Carl and Randy, Ben and Trevor have been sitting on a terrible secret that none have spoken of since high school. The shared guilt has exacted a terrible toll on the four friends whose lives have been scarred as a result. Randy is an unsuccessful actor, Trevor left behind his high school sweetheart for life as nightclub owner and a succession of unsatisfactory relationships and Carl has become a drug addict. As they gather for Ben's funeral, they must finally come to terms with their past actions. Does what they know have anything to do with the disappearance of a classmate's daughter soon after their arrival?

The story is told as two parallel stories, one set in the present as the now middle-aged Trevor arrives back in town, and the other describing the events thirty years earlier that have blighted their lives ever since. This is written in the form of a diary that Trevor is dictating as a form of therapy for his early onset Parkinson's disease. It works well in terms of narrative, feeding enough information about past events to make sense of the present day situation. Like most good ghost stories, there's an almost overwhelming sense of melancholy as the past catches up with a cast of flawed but likeable characters.

The Guardians does have some superficial resemblance to Stephen King's classic It, but this book is painted in more impressionistic strokes whereas the latter was quite heavy on detail and narrative. You may question some of the choices the boys make as teenagers but you never feel anything less than sympathy for them. It's a compelling read and will particularly resonate with anyone who has reached middle-age, lugging the associated psychological baggage with them. Like King, Andrew Pyper has a feel for the rhythms and relationships of small town life which grounds the more fantastic elements of the story. The end result is a fine novel that lingers in the mind long after it is put down.





Wednesday, March 02, 2011

Review: The Butcher: Anatomy of a Mafia Pscyhopath


The Butcher: Anatomy of a Mafia Psychopath
by Philip Carlo

Date Published: December 2009
Publisher: Harper Collins
ISBN: 9780732289607
Format: B+ format paperback
Pages: 298
RRP: $27.99

Reviewed by Tony Owens

Tommy Pitera was a New Yorker, born to a family of modest means, who managed to rise through the ranks of the Bonanno crime family to become one of the most feared Mafia hitmen. He studied martial arts in Japan for several years and could quite easily have become a respected karate instructor. In the end though, it was to be the easy money and glamour of being a made man in the mob that drove him on.

He was not afraid to get down and dirty when the job required. There are several descriptions in the book of how he would shoot someone, put their body in the bathtub and get in with the corpse, cutting it into smaller, more manageable pieces that could then be carted off to his private cemetery in a vast nature reserve on Long Island. Rumours quickly spread that he had his own autopsy table in his house. He was a gangster that other gangsters were terrified of.

Philip Carlo couples this narrative with the parallel story of Jim Hunt, who is a lawman through and through. Law enforcement, it seems, is the family business. Working for the DEA, he doggedly pursues his quarry and builds a case that starts merely as whispered rumours, until one of the mob turns informant and Pitera is finally brought down.


Carlo is a true crime veteran having penned several mafia related books and it shows in the slick professionalism of the prose. He takes a decent stab at identifying how Pitera turned out the way he did, though in the end it still seems a bit of a leap from the martial arts obsessed young man with the 'Minnie Mouse' voice to the brutal homicidal thug that he would eventually become. The author aligns him with the more traditional serial killer. He would collect items of jewellery from his victims, anathema to the standard professional hitman who would certainly not keep any evidence tying him to the mark.

As with most of these mob-lit books, there is a colourful cast of characters and anecdotes. A cast list is provided at the front of the book, helpfully divided into 'Good Guys' and 'Bad Guys' just in case you lose track of who Joey 'Pizza' Tekulve or Arthur 'Bopp' Guvenaro is. One of the best stories involves two lower level hoods who double cross a couple of Colombian drug dealers. After shooting and killing the two hapless Latinos in broad daylight in their own car, the gangsters realise that neither of them is able to drive a manual transmission car and they have to leave the bodies where they are.

It's refreshing in a world where moral boundaries are blurred and we're often invited to cheer for the baddies, particularly in mafia movies and television, to have an author who sides quite obviously with the law. This is an enjoyable and well-researched read for true crime buffs.

Tuesday, March 01, 2011

News: 2010 Bram Stoker Award finalists

The international Horror Writers Association has announced the finalists of its annual Bram Stoker Awards, widely considered the world's leading horror fiction awards, and this year, two Australian works have made the list!

The landmark anthology Macabre: A Journey through Australia's Darkest Fears, edited by Angela Challis & Marty Young (Brimstone Press) is a finalist in the anthology category, and Kirstyn McDermott's novelette from the same anthology, "Monsters Among Us", is a finalist in the Long Fiction category.

The finalists are:

Superior Achievement in a Novel
  • HORNS by Joe Hill (William Morrow)
  • ROT AND RUIN by Jonathan Maberry (Simon & Schuster)
  • DEAD LOVE by Linda Watanabe McFerrin (Stone Bridge Press)
  • APOCALYPSE OF THE DEAD by Joe McKinney (Pinnacle)
  • DWELLER by Jeff Strand (Leisure/Dark Regions Press)
  • A DARK MATTER by Peter Straub (DoubleDay)

Superior Achievement in a First Novel
  • BLACK AND ORANGE by Benjamin Kane Ethridge (Bad Moon Books)
  • A BOOK OF TONGUES by Gemma Files (Chizine Publications)
  • CASTLE OF LOS ANGELES by Lisa Morton (Gray Friar Press)
  • SPELLBENT by Lucy Snyder (Del Rey)

Superior Achievement in Long Fiction
  • THE PAINTED DARKNESS by Brian James Freeman (Cemetery Dance)
  • DISSOLUTION by Lisa Mannetti (Deathwatch)
  • MONSTERS AMONG US by Kirstyn McDermott (Macabre: A Journey through Australia’s Darkest Fears)
  • THE SAMHANACH by Lisa Morton (Bad Moon Books)
  • INVISIBLE FENCES by Norman Prentiss (Cemetery Dance)

Superior Achievement in Short Fiction
  • RETURN TO MARIABRONN by Gary Braunbeck (Haunted Legends)
  • THE FOLDING MAN by Joe R. Lansdale (Haunted Legends)
  • 1925: A FALL RIVER HALLOWEEN by Lisa Mannetti (Shroud Magazine #10)
  • IN THE MIDDLE OF POPLAR STREET by Nate Southard (Dead Set: A Zombie Anthology)
  • FINAL DRAFT by Mark W. Worthen (Horror Library IV)

Superior Achievement in an Anthology
  • DARK FAITH edited by Maurice Broaddus and Jerry Gordon (Apex Publications)
  • HORROR LIBRARY IV edited by R.J. Cavender and, Boyd E. Harris (Cutting Block Press)
  • MACABRE: A JOURNEY THROUGH AUSTRALIA’S DARKEST FEARS edited by Angela Challis and Marty Young (Brimstone Press)
  • HAUNTED LEGENDS edited by Ellen Datlow and Nick Mamatas (Tor)
  • THE NEW DEAD edited by Christopher Golden (St. Martin's Griffin)

Superior Achievement in a Collection
  • OCCULTATION by Laird Barron (Night Shade Books)
  • BLOOD AND GRISTLE by Michael Louis Calvillo (Bad Moon Books)
  • FULL DARK, NO STARS by Stephen King (Simon and Schuster)
  • THE ONES THAT GOT AWAY by Stephen Graham Jones (Prime Books)
  • A HOST OF SHADOWS by Harry Shannon (Dark Regions Press)

Superior Achievement in Nonfiction
  • TO EACH THEIR DARKNESS by Gary A. Braunbeck (Apex Publications)
  • THE CONSPIRACY AGAINST THE HUMAN RACE by Thomas Ligotti (Hippocampus Press)
  • WANTED UNDEAD OR ALIVE by Jonathan Maberry and Janice Gable Bashman (Citadel)
  • LISTEN TO THE ECHOES: THE RAY BRADBURY INTERVIEWS by Sam Weller (Melville House Publications)

Superior Achievement in a Poetry Collection
  • DARK MATTERS by Bruce Boston (Bad Moon Books)
  • WILD HUNT OF THE STARS by Ann K. Schwader (Sam's Dot)
  • DIARY OF A GENTLEMAN DIABOLIST by Robin Spriggs (Anomalous Books)
  • VICIOUS ROMANTIC by Wrath James White (Needfire Poetry)

Congratulations to all the finalists and best of luck to the Aussies!

Winners will be announced at the Stoker Weekend in Long Island, New York (June 16-19).


Source: HWA

News: Dymocks Southland Bestselling Dark Fiction Titles for Feb 2011

1. Sookie Stackhouse (series) - Charlaine Harris
2. Vampire Academy (series) - Richelle Mead
3. Harper Connelly (series) - Charlaine Harris
4. A Discovery of Witches - Deborah Harkness
5. The Small Hand - Susan Hill
6. Pride & Prejudice & Zombies - Austen / Graeme-Smith
7. Full Dark, No Stars - Stephen King
8. Dracula - Bram Stoker
9. The Mammoth Book of Best New Horror - ed. Stephen Jones
10. Twilight (series) - Stephenie Meyer

News: Dymocks Southland Bestselling Zombie Titles for Feb 2011

Visit NecroScope to view this item.

http://zombiefictionreview.blogspot.com/2011/03/news-dymocks-southland-bestselling.html

Review: Evangelion 1.11: You Are (Not) Alone


Read this review and you can win a copy of the Blu-ray release of the first film in Hideaki Anno's rebuild of his influential anime: Evangelion 1.11: You Are (Not) Alone -- courtesy of Madman Entertainment.

Evangelion 1.11: You Are (Not) Alone (Japan-2007; dir. Masayuki Yamaguchi, Kazuya Tsurumaki and Hideaki Anno)

Blu-ray edition reviewed by Robert Hood

Giant robots (known as mecha) and giant monsters (known as daikaiju): two of the most iconic elements of Japanese fantasy cinema. Evangelion 1.11: You Are (Not) Alone mingles the two to surprising and indeed complex effect.

When Neon Genesis Evangelion came on the scene back in 1995/1996, it proved to be a massive success, both as a 26-episode TV series written and directed by Hideaki Anno and as a “supporting” manga by Yoshiyuki Sadamoto. A remarkable work that profoundly influenced anime as a genre, it became compulsive viewing for many — as well as a lifetime obsession for Hideaki Anno, its primary creator. It has since been built upon, extended, re-worked … and yet never completely finished. Anno (in conjunction with others) has taken several shots at the ending, which, in the original series, was so metaphysical and abstract as to be well-nigh impenetrable — fascinating and suggestive without a doubt, and giving rise to interesting speculation, but slightly unsatisfying as well, with animation that was reduced to a series of static and surreal images by budgetary restraints. The show’s subsequent popularity allowed its creator to re-edit the penultimate episodes into Neon Genesis Evangelion: Death and then to re-do the ending in a less narratively opaque manner in Neon Genesis Evangelion: Re-Birth, and again, later, as The End of Evangelion – an alternate view of how the events played out. Yet still Anno’s ambition for the franchise remained incomplete.

In 2006 Gainax (the show’s production company) announced the coming of an animated film series referred to as Rebuild of Evangelion. It would be a four-film remake of the anime series, intended to finally fulfill Anno’s ambition for it — something he could not realise with the meagre budget and technology of the time. The animation would be upgraded according to modern technological advances and the story edited into a more cinematic narrative structure. The first two of these films have been completed: Evangelion 1.0: You Are (Not) Alone (aka Evangerion shin gekijôban: Jo; 2007) and Evangelion 2.0: You Can (Not) Advance (aka Evangerion shin gekijôban: Ha; 2009). Evangelion 1.0: You Are (Not) Alone achieved the distinction of being 4th highest grossing anime film at the Japanese box office during 2007, and then went to DVD and further success, though the latter version was subsequently tweaked after complaints about overly dark scenes and various technical glitches. This led Anno to release Evangelion 1.11: You Are (Not) Alone, which has now arrived on Blu-ray in Australia, with colour-correction, contrast fixes and the insertion of new footage. It would be easy to describe the result as a masterpiece if the original show itself hadn’t already appropriated that status.



In essence the story of Shinji Ikari is that of a boy, his father and a “squad” of hybrid robots — classic Japanese mecha — though that description nowhere near does it justice. It’s what Anno has done to the standard tropes of the mecha subgenre that makes the franchise so distinctive. Metaphysical nuancing, psychoanalytic examination of human relationships, political intrigue and narrative complexities abound, as a group of teenagers — born in the aftermath of the near-apocalyptic “Second Impact” (part of a complex back-story that only gradually reveals itself) — are revealed to be the only ones capable of piloting huge humanoid mechanisms, Evangelions or Evas, ostensibly built by the mysterious para-military organization NERV to fight a string of monstrous creatures known as “Angels”. These “Angels” arrive one after the other — bizarre in appearance and apparently malicious in intent, threatening a devastating “Third Impact” and the destruction of humanity. The narrative uses this framework to weave a complex set of themes that range from personal issues of depression and alienation to the nature of existence itself.



The Blu-ray of Evangelion 1.11: You Are (Not) Alone is a wonder to behold. Rich in colour and detail, it has a powerful soundscape, flowing animation and stunning imagery – a mingling of traditional cel-animation and CGI that works beautifully. It comes with the original Japanese soundtrack (featuring excellent voice actors whose interpretation of the characters is definitive), clear and readable English subtitles, and an English-language dub option. Some decent extras (including the 1.0 version) and a 20-page booklet complete the package.


Despite being criticized as a “dumbing-down” of the first six episodes of the series, Evangelion 1.11: You Are (Not) Alone remains a complex, metaphorically rich work that plays well in its own right. Dramatically it is more coherent than the original, though some depth may be lost through the tightening of events and the loss of story detail. Nevertheless this remake is a stunning upgrade of the earlier material. Visually it is rich and dynamic; narratively it remains exciting, intellectually challenging and emotionally involving. Though much is left unanswered by the end of this first film, it should be obvious even to the uninitiated that there are many aspects of the plot and the mysteries surrounding NERV, the Evas, the Angels, the teenage pilots and the connections between them left to be unraveled, and that subsequent films are likely to be doing just that. It isn’t a matter of there being no answers (as those who have seen the original Neon Genesis Evangelion would realize); simply that gaining those answers is the whole point of the series. In fact, the “re-build” should not be seen as replacing the original show, but as part of an ongoing dialogue between Anno and his vision – and a rebuild that can be easily appreciated by those unfamiliar with Neon Genesis Evangelion and its developmental history. One way or another, this is a must for anyone interested in anime or indeed in involving, intelligent SF/fantasy cinema. 

Evangelion 1.11: You Are (Not) Alone is available in Australia on Blu-ray (and on standard DVD) through Madman Entertainment.

This review was also published on Undead Backbrain.

To win a copy of this Madman Blu-ray edition of Evangelion 1.11: You Are (Not) Alone, simply send your name and postal address to: backbrain@gmail.com. Put the words EVANGELION BLU-RAY in the subject header. The only proviso is that you must live in Australia. Oh, and you can only enter once. One week from now all entries received will go into the draw and I will get my cat Pazuzu to randomly pick a winner from the box. He's become quite good at it and hardly ever cheats. The prize comes courtesy of Madman Entertainment.