Friday, September 25, 2009

News: AHWA Critique Group produces 'horrifying' results

AHWAThe AHWA Critique Group will celebrate its first birthday in October, and it has had a productive 12 months.

On average, each submission receives four critiques, and to date, six stories critiqued by the group have been accepted for publication:
  • "The Dumbshow" by Andrew J. McKiernan published in Masques (CSFG)
  • "To Kill a Lesser God" by Mark Farrugia published in Borderlands #11
  • "Single Mother of None" by Mark Farrugia to be published in Midnight Echo #3
  • "Black Peter" by Marty Young to be published in Festive Fear (Tasmaniac Publications)
  • "A Creature Was Stirring" by Amanda J Spedding to be published in Festive Fear (Tasmaniac Publications)
  • "Santa's Little Bitch" by Mark Farrugia to be published in Festive Fear (Tasmaniac Publications)

Praise from AHWA members:

"… a godsend. I learn something new with every critique I send or receive."
- Christopher Green, 2008 Australian Shadows Award Finalist

"… being part of this crit group has delivered insightful and constructive advice."
- Juliet Bathory, Andromeda Spaceways Publishing Co-operative.

"Interacting with other writers has helped me look at my writing differently."
Amanda J Spedding, Runner-up WRC Short Story Competition 2008


The AHWA is in the process of forming a second Critique Group, scheduled to commence in late October. Interested writers need to possess a valid AHWA membership, a desire to improve their writing, and a willingness to provide and accept honest feedback. Expressions of interest can be submitted to Mark Farrugia at crits@australianhorror.com


Source: AHWA

News: Dead Bait contents announced

Dead BaitThe contents for the debut anthology from Melbourne-based publisher Severed Press, Dead Bait, has been announced. Dead Bait is edited by Romana Baotic & Gary Lucas.

NZ writer Hayden Williams is amongst the contributing authors. The full list of contributors is:
  • "Fox Goes Fission" By Ron Lemming
  • "Chum Bucket" By Eric Hermanson
  • "Test Drive" By Mike Norris
  • "Old Man and the Puddle" By Hayden Williams
  • "Brunch" By James Harris
  • "Crawlies" By David Dunwoody
  • "Jungle Rot" By Steve Lowe
  • "Under the Boardwalk" By Julius James DeAngelus
  • "Noodlers" By Murphy Edwards
  • "Grim Adaptations" By Aaron A. Polson
  • "Blood in the River" By Steven R. Southard
  • "Piraya" By Tim Curran
  • "The Hanged Man" By Bosley Gravel
  • "Something Fishy is Going On" By Mark Zirbel
  • "Topwater" By C.J. Killmer
  • "Dawes" By Steve Ruthenbeck
  • "Searching for Sea Monsters" by Lance Schonberg
  • "Lobster Stew" By Gregory L. Norris
  • "Death Roe" By Mark Onspaugh
Dead Bait is on sale now from the Severed Press website.


Source: Severed Press

Review: The Sign by Raymond Khoury


The Sign, Raymond Khoury’s third book, is set in the modern day world, where political upheaval and global warming are very real threats. Into this world comes a strange sign: a shimmering, shapeshifting globe of light that appears above Antarctica and then vanishes.

The sign is witnessed by Gracie Logan, a reporter stationed on a nearby scientific vessel in order to cover the collapse of a massive ice shelf. Gracie follows the story and discovers that a monk in Egypt has been drawing images of the sign before it even appeared. And in Boston, Matt Sherwood, a reformed car thief discovers that his brother’s death may also be involved with the sign.

This book is fast-paced, with rapid shifts in point of view and short chapters that keep the action moving relentlessly. Most of prose is simple and easy to read, which also heightens the pace. Khoury, as well as having a background writing novels, is also a screenwriter, and this is evident in the book – much of it feels as though one is watching the latest Hollywood blockbuster and not reading at all.

Characterisation is definitely not Khoury’s strong point. All of the characters feel somewhat two-dimensional, and much of the time they simply seem to move in the direction dictated by the plot, rather than having any real motivation of their own. The political messages (presumably at least some of which reflect Khoury’s point of view) are also very heavy handed, to the point where at times it feels as though this is a lecture on the realities of global warming or corruption in politics and religion rather than a work of fiction.

For fans of fast-paced thrillers, this book will hold a lot of enjoyment, especially if you don’t mind politics or agenda creeping into your fiction. However, if you’re looking for deep characterisation, then you might be better off looking elsewhere.

The Sign is published by Hachette Australia.

Review: Take-two of Sorority Row.


Note: This is the second review of Sorority Row.
You always come to these sorts of films filled with trepidation. One one hand the intellectual screams at you that you must not enjoy this kind of horror. Only dullards subscribe to such campy schlock where there is more female flesh on view than blood and the plot is derivative from a thousand other such outings in the past. On the flip side there is an amateur child within that recalls those outings as a horror novice with such unalloyed fondness you yearn to be dazzled by such romps again.

I remember my sheer joy at my first screening of Scream many full-moons ago: my eyes glistened with happiness. There was a re-awakening in the offering - horror was now slighty reinvented and our collective tribe now has a shining future of more films like it to follow. And follow they did: Urban Legend, I Know What You did Last Summer, Valentine, Final Destination, and The Faculty. It kick-started mindless sequels and re-inventions of past maniacs that strode the celluloid red sea. Did I garner enjoyment from those these horror/thrillers even though there was now a trite formula and almost identical looking posters?

I did.

And that's where Sorority Row fits in as well. The cast is young, American, and beguiling with their beauty. The stage is Theta-Pie - a sorority house where Jessica, Claire, Ellie, and Megan are celebrating their upcoming graduation. They have a motto and are sworn to trust, secrecy and solidarity. It opens up with a huge party: everybody drinking from the quintessential American Pie red cups that seem to be the only type of beer cup in a thousand college films. After discovering one of the girls brothers has cheated, they devise a revenge scheme in the form of a prank entailing that one of them pretends to be dead. Not everyone is in on the joke, however, and when the prank goes horribly wrong the audience is treated to some grisly moments and surreal tension. There are quite a few similarities to I know What You Did Last Summer here: In the aftermath of their friends death the remaining girls keep their motto by swearing never to speak of it again. Of course, such a plan is doomed to fail and the outcome warrants a trapezoidal odyssey of carnage as someone has taken to enact their own revenge by picking them off one by one.

Apparently the girls in this film are reality television stars making the leap onto the big screen. Their previous forays in front of the camera are not not apparent as we are treated to witty dialogue and are even grow to like their individual characters over the course of the film. As a collective audience we know what is coming but visibly jump out of the seat on more than one occasion. The body count and dispatching - although not overly huge - is lent some pretty creative drive as we see our over-sexed alcohol guzzling young adults terminated in new and interesting ways. The guessing game of who's responsible comes into play ... and is handled deftly and with intelligence.

Is Sorority Row a mind-numbing and altering experience worthy of repeat viewings? No. Will it become a cult-classic? Probably not. But I do recommend taking your favourite thrills partner and enjoying it for what it is ... a film that pretends to be nothing but good entertainment.

Note: This film is a re-make of The House on Sorority Row of which I have not seen and cannot compare.


Thursday, September 24, 2009

News: Midnight Echo #3 is coming

Midnight Echo 3


Pre-order Midnight Echo #3 today: http://midnightecho.australianhorror.com (in PDF or print format).


Source: AHWA

Review: Sorority Row

Sorority Row (2009) – Dir. Stewart Hendler. Starring Briana Evigan, Leah Pipes, Jamie Chung, Rumer Willis, Carrie Fisher.


The remake of The House on Sorority Row is a decadent reminder of the slasher films of the 80’s, yet Sorority Row has more in common with the slasher scene fashionable in the late 90’s. However this is still classic stalk and kill, following the rules and playing it by the numbers. As a remake it doesn’t follow the original films narrative but instead uses the basic structure and themes. And never takes it too serious. You’ll know when and where the scares are coming but that’s ok. It’s all a bit of fun, a comfortable slide back into the recognisable sub-genre.

The opening scene is a long single shot tour through the world of Theta Pi sorority house, inviting us in to meet the girls. And tonight the girls are partying. They do this most of the film actually. Nevertheless they are also pulling a prank of revenge for their cheated sorority sister by tricking a philandering male into thinking he murdered one of their own. It goes wrong when the accused co-ed panics and inadvertently really does kill the faux victim. The quick thinking leader Jessica instantly composes a plan of concealment to ensure all future endeavours for the prosperous sisters will never be disparaged by this misfortunate accident. Think I Know What You Did Last Summer cover up storyline and the group dump the body down a well, never to talk of it again.

Flash forward 8 months and its graduation. Another party is getting under way when the accomplices start receiving reminders of the night they were trying to forget. Text messages of the murder weapon and clothing of the deceased are the least of their problems when one by one they start to disappear. The killer is soon introduced wearing this season latest slasher outfit, a hooded Greek fraternity robe, and sporting an original new trademark weapon; a weird psychotically modified tyre iron. Each kill is creative but nothing is done to extreme gore and torture that most horror films are sporting currently. Throw in some Facebook and iphone references to make it current and we’re on our way.

There are quite a few sequences that are non linear and really don’t make sense. Like when one helpless girl is creeping quietly around the house while a shot gun is supposed to be repeatedly going off in the other room. Then there is some ludicrous scene set in a room engulfed in flames that never seems to burns down and a girl trapped in a ring of fire that never moves closer to harming her. The film would also have to boast the most uses of the word ‘bitches’ than in any other movie.

Red herrings are a plenty, as is the theme and to top it all off, the reveal of the killer and motive is as stupid as they come. As a bonus, they even throw in that good old hint at a sequel conclusion. But if you’re up to reminisce the slasher golden years with half naked girls running from the psycho killer you’ll find it here. Not original, but fun.

Reviewed by Troy King.

Sunday, September 20, 2009

News: X6 – a novellanthology

Coeur de Lion Publishing is pleased to announce the forthcoming October release of X6 – a novellanthology, edited by Keith Stevenson.

A collection of all-new novellas from six of the most exciting speculative fiction authors working in Australia today. The novella is back in fashion and this most perfect of narrative forms showcases original works from six of the best —

Margo Lanagan, shorlisted for the World Fantasy Award 2009 for her novel Tender Morsels — ‘Lanagan explores the savage and the gentlest sides of human nature, and how they coexist.’ Publishers Weekly.

Terry Dowling, winner of the International Horror Guild Award for his collection Basic Black: Tales of Appropriate Fear — ‘Australia’s premier fantasist’ SF Review.

Paul Haines, three time Ditmar Award winner and author of The Last Days of Kali Yuga — ‘visceral and thoughtful, unashamedly masculine and unabashedly emotional’ Martin Livings, author of Carnies.

Cat Sparks, Golden Aurealis winner 2007.

Trent Jamieson, multi-Aurealis award winning author of Death Most Definite forthcoming from Hachette.

Louise Katz, two-time Aurealis winning author of The Other Face of Janus.


‘If X6 only contained Margo Lanagan’s rich and evocative fantasy “Sea-Hearts”, you’d be getting more than your money’s worth! But this volume of short novels by veteran editor Keith Stevenson weighs in with over 170,000 words by multiple award winning authors such as Terry Dowling and Cat Sparks... and fiery, up-and-coming “young Turks” such as Trent Jamieson and Paul Haines. Ranging from the sublime to disturbing in-your-face noir, X6 is a brilliant cartogram of what’s happening in Australian genre fiction.’

Jack Dann – multi-award winning author, and editor of Dreaming Again.

‘A resounding six of the best for anyone who still doubts the novella is the ideal length for speculative fiction.’

Sean Williams – #1 New York Times bestselling author of The Grand Conjunction.

X6 LAUNCH

Come to the official launch and celebrate X6 with Richard Harland — bestselling author of Worldshaker (Allen and Unwin) — and all the X6 authors:

Berkelouw Books Leichhardt (upstairs)
70 Norton Street,
Leichhardt NSW

Thursday 12th November, 2009
7.00pm

X6 – a novellanthology,
edited by Keith Stevenson
B Format, 640 pp,
RRP A$34.95,
ISBN 978-0-646-51035-4

Trade enquiries: email coeurdelion@optusnet.com.au or call (02) 8084 9661 or through www.booksinprint.com.

Source: Keith Stevenson

Review: Frontier(s)

Dir. Xavier Gens. Starring Karina Testa, Aurélien Wiik, Patrick Ligardes, David Saracino

In what is a new wave of horror films, French genre pieces are leading the way right now and taking it to the limit. It seems each year France produce a horror film that includes a strong female lead and even stronger bloodletting. Everything in French horror of late is extreme. And this film is no exception.

Set amongst political unrest in modern day France, Frontier(s) starts off with an original set up for a modern day scary movie where we meet Yasmine, part of a gang on the run. After pulling off a robbery, the police are chasing the group through the streets of Paris when Yasmine’s brother, also part of the crew, is shot. They all know they have to leave town to prevent capture, but also get their friend medical help. It is left to Yasmine to take her brother to the hospital where he dies just before Yasmine escapes the police investigation into her brother's gun shot wound. On the run across the country, the film makers use this prologue as an interesting tool for character development.

It is only when the thieves take refuge in a small, isolated hotel that the film evolves into unoriginal territory and becomes an amalgamation of some of the best horror films of the last 10 years. This is a family run hotel. And this family are Nazis. Nazi cannibals to be exact, and they are running low on meat! From here, who we first thought were the bad guys find out what the really bad guys are capable off.

The family keep Yasmine as captive when they discover that she is pregnant. With her child, she will help develop the next generation of the family. What the family think will be a pure blood race. But she won’t give in without a fight.

Horror clichés are used throughout, but have a distinct French flavour to them. The film mixes classic themes of horror greats throughout. Texas Chainsaw Massacre meets Wolf Creek with Hostel torture thrown alongside the claustrophobic fear of The Descent. But despite all these references, there is a stylistic approach to the subject matter. The introductory of each scenes is enticing enough to keep the view interested and the acting, especially from the female lead Karina Testa (Yasmine), is raw and believable. And the torture is shocking, where everything is shown on screen. Nothing is left to the imagination.

French horror is leading the charge in intense violence and disturbing gore, and Frontier(s) is a textbook example. This is extreme survival horror. And the French are doing it best.

Review: Snapshot reviews 27

Martyrs (France – 2009)
Dir: Pascal Laugier
Starring: Morjana Alaoui, Mylene Jampanoi
A young woman is subject to depraved torture in an effect to learn of the afterlife in this grisly, confrontational horror film. A true assault on the senses this film’s sadistic nature makes it a tough watch for even the most seasoned horror fans. Still, it makes some interesting observations about humanity’s fear of mortality if you can stomach the depravity.
Three stars

Eden Lake (Britain – 2008)
Dir: James Watkins
Starring: Kelly Reilly, Michael Fassbender, Bronson Webb
A holidaying couple are terrorised by a gang of small town youth in this sensational horror thriller that explores the division of class in England. Frightening for its reality, this extreme Lord of the Flies style film pulls no punches, encapsulating the viewer with a taut, tension pack script and beautifully conceived characters. The final reel with stay with you long after the credits are done.
Four stars

Inside (French – 2009)
Dir: Alexandre Bustillo
Starring: Beatrice Dalle, Alysson Paradis
An expectant mother is put through hell by a strange woman who wants to claim her unborn baby as her own in this brilliant, yet full on horror assault. Making great use of a high stakes game in a minimalist set, this is a graphic and claustrophobic film of unrelenting terror. Expecting parents and those with weak stomachs are warned to watch at their discretion.
Five stars

Last House on the Left (US – 2009)
Director: Dennis Iliadis
Starring: Sara Paxton, Monica Potter, Martha Macisaac
Wes Craven’s classic 1970s video nasty gets a reboot in this so-so update that fails to capture the spirit of the flawed classic. Where the original film made its mark as a nasty, controversial beast played in back alley cinemas and clubs, this slick looking remake seems to lose some of the grittiness with slick camera work and a story fairly tame by today’s standards.
Two stars

Laid to Rest (US – 2009)
Director: Robert Hall
Starring: Bobbi Sue Luther, Kevin Gage
There is nothing to like about this cheap, poorly scripted slasher in which a masked killer picks of a cast of untalented teens at his pleasure. Advertised as a throwback to the traditional slasher films of the 1980s, this film is an insult in almost all aspects of the genre. Don’t even waste your time.
One star

Butterfly Effect 3 (US – 2009)
Dir: Seth Grossman
Starring: Rachel Miner, Chris Carmack
A young man with the ability to travel back in time searches for the identity of his girlfriend’s killer in this latest addition to the Butterfly Effect series. Well written and paced, this film suffers more from the fact that we have seen this story before rather than through any fault of the film. A worthy, yet hardly original addition to the genre.
Three stars

Saturday, September 19, 2009

News: Hello Darkness Film Festival

Hello Darkness

The Hello Darkness Horror Film Festival: Survival of the Fittest officially launches on September 24.

The event itself takes place October 26 – 31 at ACMI (Australian Centre for the Moving Image) in Melbourne.

Films featured at the festival include The Last House on the Left, Let the Right One In, and The Descent and The Descent: Part 2.

Tickets and further details are available from the Hello Darkness website.


Source: Rachael Cotra, Hello Darkness Film Festival

Book Review: Nekropolis

Tim Waggoner, 2009, Angry Robot

Almost 400 years ago, Father Dis opened a portal that allowed the myriad supernatural entities of Old Earth to colonise a dark planet in another dimension. Welcome to Nekropolis, bustling metropolis of the undead and indefinable, home to vampires, werewolves, and things that go bump in the night. Problem is, unless Matt Richter - zombie, detective, and relative newcomer to the Dark City - can get to the bottom of what appears to be a simple case of jewel theft, Nekropolis might not be around for another 400 years. In fact, it might not even last through the next twelve hours...

Nekropolis can best be described as a fun read. The crime / dark fantasy mash-up works well, the plot rolls along at a decent pace, and the main characters are relatively engaging.

My one issue with the book - and unfortunately, it's a fairly big one - is that the whole thing falls way below the expectations created by the back-cover blurb, which likens Nekropolis to the works of Charlie Huston and John Meaney, among others. Perhaps, I'd have been more satisfied with the novel if I'd not expected deep insights into the society and culture of Nekropolis on par with Huston's insights into vampire-run Brooklyn, or if I'd not expected the city of Nekropolis to be so richly described that it became a character in its own right, as with Meaney's Tristopolis. By comparison with the aforementioned, Nekropolis (both the novel and the city) came across as frustratingly insubstantial, with the the various locations and situations experienced by the main protagonists largely failing to gel in terms of providing a genuine 'feel' for the location.

In a nutshell: Nekropolis is worth reading. It is a fun read. Just don't approach it thinking you're getting into anything other than a light romp.

News: Blade Red Dark Pages Volume 1 open to submissions

Australian independent press Blade Red Press has opened to submissions for its first dark fiction anthology, Blade Red Dark Pages Volume 1.

Blade Red Press is looking for dark speculative stories up to 7,500 words, although it is "not a straight horror publisher", so stories with fantasy or science fiction elements are welcome.
  • Submissions are open until November 30.
  • Payment is $25.
  • Editor to be announced.
  • The anthology is due for release in early 2010.
Full submission guidelines are here.



Source: Blade Red Press

Friday, September 18, 2009

News: Narrelle M Harris talks vampires in Cheltenham

Narrelle M Harris will be appearing at the Cheltenham Library on 30 October 2009, 2pm, to talk about her "daggy vampire" novel The Opposite of Life.

Narrelle M Harris 30 October 2009, 2pm
Cheltenham Library
12 Stanley Ave
Cheltenham (Melways 86 J2)

Phone 1300 135668 for more information.

About Narrelle M Harris

Narrelle's first novel was the crime/thriller, Fly By Night (2004), which was nominated for a Ned Kelly Award. Her 2005 novel, Witch Honour, published in the US by Five Star Science Fiction, had been short-listed for the George Turner Prize for Science Fiction and Fantasy in 1998. Its sequel, which was short listed for the same award the following year, was published in 2007.

The Opposite of Life was released in early 2008 and is the first of a proposed trilogy, which is still being written.

Source: Narrelle M Harris author website

News: A Writer Goes On A Journey competition

To celebrate a new-look site and three years online, A Writer Goes On A Journey have cracked open the champagne and are breaking out the prizes with a competition.

If you're a writer, you can create a piece of flash fiction. You can also join in by writing reviews! Even if you just blog about the competition, you still can win prizes!

Reviews:

  • You can review any speculative fiction (YA or adult) novel/novella, anthology, movie, TV series or a non-fiction book (could be something related to writing or history that could inspire writers)
  • Reviews of books or movies must be between 300-500 words, in plain form (no headings or questions and answers). TV series reviews can be longer if necessary.
  • For fiction: characterisation, plot, description, comparison to other’s in the genre, who would it appeal to?
  • For non-fiction: is it easy for the layperson to understand or do you need some basic understanding of something? What is it about? Would it be useful to writers or is it just interesting?
  • Each accepted submission will go in the draw to win that specific book pack for the week
How to enter: Can be member of the site or guest. Go to this page to submit.

Flash Fiction/News Flash:

  • Theme: 500 words or less written in the style of a newspaper article complete with headline. Story must be Australian oriented with a speculative fiction element. Stories should intrigue more than illuminate.
  • Stories will be posted online for the entire competition (and longer if you give us the rights)
  • Stories will be peer-judged by a 5 star rating on top of each submission. Any member or guest can rate. The winner will be decided by the highest number based on (number of votes) x (average rating).
  • Our resident editor, Phillip Berrie has written an example news flash that fits the brief.
How to enter: Must be member of the site. Go to this page and under Section, select Competition, under Category, select Flash Fiction.

Rules:

  • Must be Australian postal address
  • Must use a valid email address (or we won't be able to contact you to tell you that you've won!)
  • Must be original work (if review, must not be posted anywhere else)
  • Staff not eligible
  • Prizes will be announced one week *before* submission starts for the next section, and writers/reviewers will have one month to submit their finished piece before the next prize section starts and any submissions then will be for the new prize.
  • If you win a prize, you will not be eligible for any more prizes.
  • Multiple entries during one prize period will be counted as one entry only, however if you did not win you can enter in another prize period if you submit another piece.

Total Prizes:

  • Forest of Hands and Teeth by Carrie Ryan
  • Workers Paradise edited by Russell B Farr
  • Dreaming Again edited by Jack Dann
  • The Wounded Guardian by Duncan Lay
  • Astropolis by Sean Williams

There will be a chance to win each of these for both a review and a flash fiction prize. You just need to keep up to date with which prizes are picked for each month!

Source: Nyssa Pascoe

News: Horror@The Loft workshop

B. Michael Radburn (aka Barry Radburn, editor of the iconic Australian Horror & Fantasy Magazine from the 80s) will be holding free horror writing workshops at The Loft in Newcastle, NSW on September 25 & 26.

"It’s aimed at young writers in the Newcastle area interested in the horror genre and will focus on the areas of professional formatting, story structure, plus character and plot development. I’m looking forward to working with our next generation of writers and see what their young minds have to offer," Barry said.

Places in the workshop are limited. Bookings can be made by contacting The Loft on (02) 4974 2092

Source: Barry Radburn

Thursday, September 17, 2009

Review: Aurealis #42

Horror is the name of the game in Aurealis’ latest offering of eight new morsels of Aussie fiction designed to make you squeal, shudder and squirm. Issue 42 certainly serves up the scares with a mostly impressive collection of chills and thrills from all spectrums of the horror genre.

Kicking off the issue is Lucy Sussex’s Something Better than Death – a fractured fairytale about a former band manager whose infatuation with a German folk story leads her to a whole new life. A rich blend of myth and reality, this story is an interesting selection to kick off the issue because it’s not really a horror story. As a reader you find yourself waiting for the dread to come, and as a result miss what is otherwise a charming little tale.

Trent Jamieson’s Neighbourhood of Dead Monsters is more on the mark, using a nightmarish dreamscape of reality and dream to create lingering dread. Similarly, Andrew J McKiernan’s the Haunting that Jack Built uses mood to create a traditional 1950s era ghost story about a loner who creates ghosts for his expanding home. With a distinct Australian Picnic at Hanging Rock vibe it is a real standout, even if you know how the story will end well before it concludes.

Brendan Duffy’s Muleskinner Blues is another highlight telling the tale of a man who hunts synthetic humans. Duffy cleverly weaves in observations about corporate ladder climbing and fears of mortality into a fun a frightening tale.

Jason Fischer’s For Want of a Jesusman is a more exotic blend of Wild West and mythical horror, creating a sublimely twisted alternate history in the Australian outback. A strikingly original story it tells a raises some subtle yet emotive points about a world without faith.

Brendan Carson’s Yellow Mary’s Lamp takes an original slant on UFOs set during the goldfields era, underplaying the horror tones for mood to great effect. Similarly, Geoffrey Maloney’s Through A Lens Darkly puts a fresh spin on dealing with heartbreak in this 21st century spiral into madness from after a man learns his girlfriend is cheating on him.

Rick Kennett’s Burnt attempts to offer some comic relief, but the flash fiction piece about a burglar attacked by a mysterious dog is somewhat out of place. Suffering from a lack of any real character development or plot, this flash in the pan is quickly forgotten amongst some real gems.

Aurealis #42 continues the trend of producing some fine quality print speculative fiction in a time when magazines are more frequently being forced online. And with a cover price of just $12.50, there is plenty of value crammed into the pages to warrant getting behind this publication.

Aurealis is a bi-annual magazine of Australian sci-fi, fantasy, and horror. Buy a single issue or subscribe for an annual membership here.

Wednesday, September 16, 2009

Review: Spirit Gate by Kate Elliott

Spirit GateSpirit Gate is the first book in Kate Elliott’s epic Crossroads fantasy series (the second and third books – Shadow Gate and Traitor’s Gate, are also available).

Spirit Gate centres on the Hundred, a land once ruled over by the now-vanished Guardians. The ir only remaining influence over the land are the reeves, who patrol the sky on their eagles. But even the reeves’ control is beginning to fade as fanatics begin to devastate the land.

The book focuses on two main point-of-view characters – the reeve Joss and the outlander Mai. The story focuses first on Joss and then moves quickly to Mai, with whom the book mostly stays as she and her husband flee to the Hundred. There, they meet up with and form an alliance with Joss.

This book is truly epic in scale, with many characters and intertwining story threads. The world that Elliott has created is a refreshing change from medieval Europe-type fantasy worlds. Unfortunately, while it is evident that Elliott has spent enough time worldbuilding that the world itself feels very real, this book also feels like it only skims the surface of the world much of the time. Even more detail about the world and its customs and history would serve to flesh out the main plot – especially the threat to the land, which feels somewhat nebulous.

Elliott’s strength truly lies with her characters. Mai, in particular, is a compelling point-of-view character, given much depth and strength. Unfortunately, this depth also has the effect of making Joss feel weaker as a point-of-view character. All of Elliott’s characters, however minor, are given enough detail that they feel like living, breathing people.

The scale of the book is a disadvantage at times – it is easy to lose track of plot threads, especially since several vanish for huge chunks of the book.

There is little real sense of resolution in this book, more a sense of a door having been opened and many enticing rooms been made visible. There are more than enough dangling plot threads and mysteries to draw the reader on into the next book.

Spirit Gate is, for its flaws, a truly original fantasy. If you’re a fan of character-based fantasy in particular, it is recommended.

Spirit Gate is published by Orbit.

Tuesday, September 15, 2009

News: Freecon 2009

Guest writers for the Sydney Freecon have been announced!


It has been reported "there is a very good chance that Van Ikin will also be taking part in the Saturday session of the Freecon!"

This year’s Freecon will be held over three sessions:

Friday 6 to 8 pm
Saturday 9 am to 4 pm
Sunday 1 to 4 pm

Sydney Freecon
Nov. 27 to 29, 2009
Bankstown City Library
(ground floor meeting room)


Source: Garry P Dalrymple

News: Terra Incognita #011

Terra Incognita Speculative Fiction Podcast #011 is now available for your listening pleasure at www.tisf.com.au; also available on iTunes.

In this episode Brendan Duffy reads his story Louder Echo, and Keith Stevenson reviews The Dead Path by Stephen M Irwin (Hachette).

The Terra Incognita Speculative Fiction podcast is presented by Keith Stevenson, and brought to you by Coeur de Lion books.

Source: Keith Stevenson

Monday, September 14, 2009

Review: Spare Key by R Frederick Hamilton

Spare Key’ is a novella from little-known author R. Frederick Hamilton. I say little-known because the book’s bio simply states ‘R. Frederick Hamilton is a young up and comer’. Herein lies the first problem. New publisher LegumeMan Books tries hard to present an ‘underground’ tale that matches their publishing philosophy, but it is one that needs more polishing to really hit the mark, something they might have acquired from a more seasoned writer (or better editors).
The novella is about Ben, released (from prison?) with medication to stop his violent tendencies, seemingly absent of an officer or other authorities needing to check up on him. Ben is determined to stop moving and settle down and live a ‘normal’ life, only he is placed in an apartment next to Rachel who instantly becomes the focus of his lust/tormenting needs. Pretty soon, Ben is foregoing his medication and devising ways to make her a new addition to his mental red room, where he will dissect her in many painful and pleasurable ways. Ben begins to creep into Rachel’s backyard, and eventually her house, ready to make his move. Only Rachel isn’t the person she seems, either.

The second problem with ‘Spare Key’ is its length. Hamilton’s writing does show potential – do not get me wrong – and the premise of the story initially sounds quite intriguing, but the author has drawn out a short story and bulked it out with pointless filler. Ben seems to have a magic penis that never tires of being aroused for masturbation, with a jet-spray to match. And his fantasies about the red room, where he hangs his victims, and the memories of his mother, are repeated so much that it becomes ridiculous. Despite the gross-factor within the novel, it seemed so corny that I couldn’t help but picture Todd Flanders (of The Simpsons fame) spouting ‘Red, room. Red, room…’ – I just couldn’t take these parts seriously. If it were a short story, there would have been a wonderful tension as Ben makes his move towards taking Rachel as his prey. As it is, you know the twist that eventuates much too early, and Rachel is so underdeveloped as a character that you just don’t care.

Spare Key also contains two short stories. These grounded points indicate that Hamilton should stick to this field for a little longer. The stories are far from perfect but are written with a much better flow.

I did not like the first story, ‘The Filmmakers’, about boys who take girls and film their ‘conquests’, but I saw the potential. I didn’t like it because it felt more like an exploitation of violence and other cringe-worthy themes rather using them to a more powerful effect. The second story, ‘Writer’s Block’, was okay, though – a nod to Stephen King’s Misery, in which a mother locks her son downstairs to write the best novel in the world, and could have seen print elsewhere.

With these stories, it is obvious Hamilton is out to shock and disgust. He will, of course, but damn, this sort of thing bores the hell out of me – we’ve already lived through the splatter-fest of the eighties, haven’t we? Blood, violence, and sexual exploitation for no actual reason other than to gross out readers? There is no need to bring such writing back when much progress has been made in the field of horror, particularly from a psychological standpoint (psychological horror, that is). And this text requires stronger editing, with numerous spelling/grammatical errors and variations of the presentation (and audience) of inner thoughts and dialogue.

Review: Night’s Cold Kiss by Tracey O’Hara

Night’s Cold Kiss is the debut novel from Australian writer Tracey O’Hara. It is the first book in the urban fantasy Dark Brethren series.

The world of Night’s Cold Kiss is populated by both humans and parahumans. The latter include Aeternus (vampires), and Animalians (part-human, part-animal, with the ability to possess either form) as well as other parahumans mentioned only in passing (shapeshifters, magic wielders/Thaumaturgists, mer-people). In the past, there has been war between humans and Aeternus, known as the Troubles. There is now a fragile peace governed by the CHaPR (Council for Human and Parahuman Relations) Treaty.

Antoinette Petrascu is Venator, a bounty hunter highly trained to hunt Necrodreniacs - Aeternus who have succumbed to necrodrenia, a disease developed when Aeternus completely drain humans. She is distrustful of all Aeternus as her mother was murdered by one when she was only a child, and takes obvious pleasure in her work. When she is forced into a mission with the Aeternus Christian, she is forced to confront her prejudices and what she knows about her own family and friends.

This book is action-packed and fast moving. The characters, Antoinette and Christian in particular, are well-rounded, with enough backstory given to make their reactions to situations believable. While this world is populated by the same paranormal creatures seen in many other urban fantasy series, O’Hara puts enough of her own originality into them to give this book a fresh feel – you won’t be feeling like you’re reading yet another version of the same book that seems to populate much of urban fantasy today. She has even given logical backstory to the existence of the parahumans, which does, admittedly, feel a little shoehorned into this particular story, but works to give the world even more richness.

There are several points where it feels as though the book could have benefitted from tighter editing, but overall, the prose is competently written. There is some predictability to the overall plot, but there are also enough unpredictable turns to make this not feel like a huge issue. The romance plot is probably the most predictable (as many such subplots tend to be), but there are sufficient other subplots to keep this from bogging down the book.

The worldbuilding is the star of this book, with O’Hara deftly intertwining it with the plot and managing to avoid infodumps or other needless exposition. She has created a dense new world, and one really gets the impression that this book merely skims the surface of it. It’s going to be very interesting to see where this series goes as it develops.

Tracey O’Hara is one of the most original and promising new authors of urban fantasy, and is definitely one to watch if you’re a fan of the genre. If you’re not a fan – this series could be a good place to start.

Night’s Cold Kiss is published by Eos.

Sunday, September 13, 2009

News: David Conyers Special Guest at GenCon Australia

Australian Horror Writers' Association member David Conyers will be a special guest at this year's GenCon Australia, held at the Brisbane Convention Centre 18-20 September 2009 in Queensland. David is co-author of the fiction collection The Spiraling Worm and the Call of Cthulhu gaming supplements Secrets of Kenya, Terrors From Beyond, Devil’s Children, Secrets of San Franciscio and The Stars Are Right!

While at GenCon David will be attending various seminars where he will talk about his publications for the Call of Cthulhu role-playing game and his experience as a science fiction and horror fiction writer. He will also provide updates on future projects, including the forthcoming Cthulhu’s Dark Cults which he edited, Chaosium’s first fiction anthology set directly in the Call of Cthulhu gaming setting.

David will also talk on his role as a contributing editor to Ireland’s leading speculative fiction magazine Albedo One and on their short fiction Aeon Award with an annual first place prize money award of 1,000 Euros.

Full details of David’s seminar schedule follows:

Friday
Hot Tips for Fiction Writers (Seminar Room 1, 2pm): Join Karen Miller, David Conyers, and Matt Farrer as they give away the hot tips that all aspiring writers should know.

Fights, Chase Scenes and Other Action (Seminar Room 1, 11 am): Want to know how to keep a reader on the edge of their seat? Join writers Kylie Chan, David Conyers and Marianne De Pierres as they discuss how to writer a killer action scene.

Saturday
The Writer’s Journey (Seminar Room 1, 12 pm): Join Marianne De Pierres, Kylie Chan, and David Conyers as they talk about the journey from aspiring writer to published author.

Nothing to Fear but Fear Itself (Seminar Room 3, 6 pm): Want to scare your players? Join game designers David Conyers and Ryan Naylor as they discuss the techniques they use when writing for horror games.

Sunday
Gaming and Writing (Seminar Room 1, 4 pm): How do you make the jump from playing games to becoming a writer? Join Matt Farrer, David Conyers, and Ryan Naylor as they talk about how they made the jump from gamer to author.

How to Make a Really Good Bad Guy (Seminar Room 1, 2 pm): What makes the perfect bad guy? Join authors Matt Farrer and David Conyers as they discuss the very best of the very worst.


Source: David Conyers

News: Gen Con 2009

Gen Con™ Australia is a consumer games and entertainment convention that showcases games for a broad audience of entertainment seekers. The event will be held 18th to 20th of September 2009 at the Brisbane Convention and Exhibition Centre. Gen Con™ hosts the largest number of games tournaments and demonstrations ever seen in Australia.

Held annually in Brisbane, Gen Con™ provides families and games enthusiasts with an opportunity to see and play games across three major categories namely Electronic Games, Family Games and Enthusiast Games. These categories will be represented in three areas contained within the expo:

Electronic Arena
Showcasing the latest and greatest in computer and console gaming. This area will be positioned at the front of the convention and will incorporate open plan exhibition areas, game-playing tournament space and traditional expo booths.

Family Central
At the core of the convention, offering board games, educational games, digital media and entertainment equipment for the whole family to experience and enjoy.

Enthusiasts Alley
Just left of the centre Enthusiasts Alley will offer a realm of possibility to adventure seeking gamers. It will include role play games, miniature war games, comics and collectibles, and costume play as well as providing a forum for fanatics of all kinds.

The event, which was held for the first time in Australia in July 2008, attracted more than 10,000 visitors. It is based on, and licensed from, the enormously popular Gen Con™ Indy Convention held annually in the USA. Gen Con™ Indy has been run in the US for more than 40 years, and has become the one of the core annual events for the games enthusiast and entertainment markets.

“It is our goal to offer the fundamentals of Gen Con™ Indy whilst harnessing the more mainstream entertainment elements of gaming now emerging to create an event unrivalled in Australia,” said Ian Houlihan, the Event Co-Ordinator of Gen Con™ Australia.

The event will allow exhibitors from three different markets to present their games and entertainment offerings and run games tournaments alongside each other, potentially extending the market reach of each and every exhibitor at the event.

Gen Con™ Oz is unlike any other games convention in the country. It is about playing games—touching, doing, thinking, interacting with, and understanding the games. Not just looking at them. It is a place where visitors can compete for prizes or just play for fun.

Gen Con™ brings family entertainment to the fore. It invites people to come, play and be a part of the fun. Three whole days of adrenalin pumping, energy charged games tournaments for players of all ages. Digital media to make you green with envy, and gaming gadgets galore.

Gen Con™ is a day out for the whole family to enjoy on the school holidays. Because now, more than ever before, gaming is a family activity. No longer hidden away in the depths of the Internet and the hands of fanatics. Gaming is now mainstream! It’s a social activity that rates alongside TV viewing as a preferred pastime for more than 65% of Australians under the age of 40.

In 2009, Gen Con™ Oz will reflect the changing face of gaming. It will reach out to the families of South East Queensland and urge them to discover the many facets of entertainment available through the social gaming world.

Activities Available
  • Activities for the Better Half
  • Anime & Cosplay
  • Board Games
  • Card Games
  • Celebrities
  • Electronic Gaming
  • Film and Media Events
  • Freeforms and LARPS
  • Hobby Events
  • Miniature Wargaming
  • Role Playing Games
  • Seminars
  • Workshops

Industry Guests
Gen Con™ Australia is not just about games. It’s about meeting new people, and reuniting with old friends. However there are many other things to do at Gen Con™ Australia such as meeting well known authors, learning about the latest developments in the gaming industry from business professionals, and of course, meeting film and television celebrities.

Gen Con™ Australia 2009 has built its line-up of guests from around the globe.

• Media Guests
• Author Guests
• Artist Guests
• Industry Guests

Movies and TV
The convention features four fantastic Media Guests this year from overseas and locally. You will have the pleasure of dining with these four by purchasing an event ticket for "An Evening With the Stars" (currently available for pre-registration). Tickets are $120 and include dinner, drinks, entertainment and a chance to meet and mingle with the following celebrities:

  • Robert Picardo
  • Kate Vernon
  • Sam Witwer
  • Kyle Rowling

Kyle will not only be presenting a panel, but he will be holding Fantasy Swordplay for Stage and Screen on Friday through to Sunday (for an additional charge of $50 for a 1 hour lesson), which are not to be missed.

Gen Con
September 18-20, 2009 (Preview Day 17th September)
Brisbane Convention and Exhibition Centre, Brisbane, Australia

Source: www.genconoz.com

News: Midnight Echo print copy pre-orders

Midnight EchoThe AHWA is now taking pre-orders for the print editions of Midnight Echo, the magazine of the Australian Horror Writers' Association.

For Issue #3 onwards, print copies of Midnight Echo will be available directly from the AHWA at a substantially discounted rate to what is currently on offer at Lulu.

For members:
AU$10 + postage ($2.75 anywhere in Australia)

For non-members:
AU$14 + postage ($2.75 anywhere in Australia)

This is a saving of more than 50%!

Midnight Echo is also available as a downloadable PDF (free for AHWA members and $3.50 for non-members)

The AHWA will be taking pre-orders for the print version of Issue #3, set for publication in October/November 2009, up until a week before publication (exact release date notified in October).

Back orders
The AHWA also has a limited number of print copy back orders of Issue #1 and #2 available at the above rates. The deadline for placing an order for these is September 30, 2009.

Placing print copy orders
Contact the AHWA on ahwa@australianhorror.com and state the issue and number of copies you would like to order and your preferred payment option (PayPal, cheque, or direct deposit). The PDF version can be purchased (or downloaded) via the Midnight Echo website.


Source: AHWA

News: Book trailers from i-Video

Western Australian video production company i-video has launched a new book trailer service for interested authors and publishers.

A promotional sample video can be viewed here.

Prices for a book trailer start from $350 + GST.


Source: Adam Wieland

News: Specusphere walks the Dead Path with Stephen M. Irwin

The Dead PathAstrid Cooper of the Australian SF e-zine The Specusphere has conducted an in-depth interview with Stephen M. Irwin about his debut horror novel, The Dead Path.

The full feature can be read here.

HorrorScope's review of The Dead Path can be read here.


Source: Astrid Cooper

Saturday, September 12, 2009

News: Australian Reader Halloween special

AustralianReader.com intends to showcase Australian horror this Halloween. The zine's editor Phillip A. Ellis is looking for fiction and poetry up to 5,000 words.

Stories must be emailed in the body of an email or as an attachment (no docx) before October 25. All types of horror will be considered. Previously published material is welcome, providing the editor is granted the right to publish the story online and can credit the market(s) in which the story has already appeared.

Australan Reader is not in a position to offer financial renumeration for published stories. However, the editor says the site routinely receives an average of over 4,000 visits a month and has over 350 readers for its monthly newsletter.

Interested Australian authors can send their work to editor Phillip A. Ellis at editor@australianreader.com.


Source: Phillip A. Ellis

Book Review: Cthulhu Unbound

Edited by Thomas Brannan & John Sunseri, Permuted Press, 2009

'Welcome to a place where bleak noir cityscapes share a technicolor sky with combat fighters, where you can find gunslingers from the Old West and a lost chapter from a literary classic, all with something in common: Lovecraft's Cthulhu Mythos.'

Mythos anthologies, of which there are many, tend to tread a fine line; on the one hand, readers have expectations of 'more of the same', of tales involving half-glimpsed terrors from beyond our dimension, written in a style that at least partially reflects that of Lovecraft and his subsequent imitators; on the other hand, modern Mythos enthusiasts generally won't put up with fiction that simply rehashes the seminal works of Lovecraft, requiring new situations, locations and contexts for Mythos horror in order to hold their interest. Not all Mythos anthologies achieve this balance, but fortunately Cthulhu Unbound does. Editors Brannan and Sunseri have complied a collection of fifteen Mythos tales, most of them thoroughly engaging and original (and well-edited, also, which has been one of my beefs with previous publications from Permuted Press), that do indeed make the most of the cross-genre theme of this anthology.

Highlights for me include: Linda L. Donahue's 'Noir-Lathotep', in which a certain Lovecraftian entity must solve the murder of one of his own avatars, Chandler-style; Trent Roman's 'The Invasion Out of Time', in which China engages an extra-dimensional enemy in a manner typical of thir society; Bennett Reilly's 'Star-Crossed', a Mythos romance (!); Steven Michael Graham's 'In Our Darkest Hour', a post 9/11 dark superhero tale; D. L. Snell's 'Blood Bags and Tentacles', a modern post-apocalyptic take on the incusrion of the Old Ones; and John Claude Smith's 'The Shadow Over Las Vegas', which lampoons the infamous novel by Hunter S. Thompson.

Yep. That's quite a few highlights. It's that good an anthology. Definitely worth picking up.

News: 2009/2010 AHWA Committee

AHWAAt the Australian Horror Writers Association AGM on September 9, a new, expanded Management Committee was elected.

The 2009/2010 Committee Members are:

President: Dr Marty Young (re-elected)
Vice President: Shane Jiraiya Cummings (re-elected)
Secretary: Ian Mond (re-elected)
Treasurer: Carl Schaller (new)
Membership Officer: Angela Challis (new)
General Member: David Carroll (re-elected)
General Member: Felicity Dowker (new)
General Member: Mark Farrugia (new)
General Member: David Schembri (re-elected)

Minutes and further details arising from the meeting will be posted on the members' section of the AHWA website soon.


Source: AHWA

Friday, September 11, 2009

News: Ned Kelly Awards Winners for 2009

The winners of Australia's premier crime writing awards, The Ned Kelly Awards, have been announced!

Ned Kelly Awards 2009

Best First Fiction
Nick Gadd – Ghostlines

Best Fiction (joint winners)
Peter Corris – Deep Water
Kel Robertson – Smoke & Mirrors

True Crime
Chloe Hooper – The Tall Man

SD Harvey Short Story
Scott McDermott – Fidget’s Farewell


The Crime Writers' Association of Australia was set up in the mid 1990s to promote and encourage Australian crimewriting through the establishment of the Ned Kelly Awards. The 'annual Neddies' have subsequently become an eagerly anticipated fixture on the Australian literary scene.


Source:
Peter Lawrance

News: Theatre Of Blood call for original plays

Theatre Of Blood have issued the following call for submissions of original short plays in the grand guignol style:

WRITING SUBMISSIONS

The Theatre of Blood consists of a program of three short plays, which change over every three months. The length of each play varies from between ten to thirty minutes.

The first play of the evening is our thriller, the second a black comedy, and then we culminate with the horror – the ‘blood play’ of the evening. We will have a translated play from the Grand Guignol in each season, but we will strive to include a new work as well.

Writing horror in the style of the Grand Guignol can be quite specific, so it is recommended that prospective authors attend a performance of Theatre of Blood before submitting. Failing that, more information (and a link to at least one online play) can be found at www.grandguignol.com.

Please send all expressions of interest to the Director of Theatre of Blood, Steven Hopley, at stevenjhopley@hotmail.com.

Source: Kyla Ward and www.thetheatreofblood.com

News: Theatre Of Blood

It’s almost witching hour in South Newtown, and you’re walking down the seedy end of King Street. Every second shopfront is boarded up; windows broken, old posters peeling away from the walls.

In the distance, gothic spires penetrate the silvery night sky; the clanking of a late-night train pounds closer and closer. A gust of wind wisps its way around your neck, sending a chill down your spine.

As you walk through the skeletons of two trees by a run-down apartment block, you notice every window and every door is barred tight – graffiti on the pavement announces this as Ghost Valley.

Suddenly, a dimly-lit side-street comes into view – and there it is. Amongst the lit-up brothels and the closed-up shops, you see the sign. A couple of steps down the alley and you are greeted by a darkened stairwell. Through the doors and up you go, up… 
…up into... the Theatre of Blood!

Theatre of Blood is a late-night horror theatre in the tradition of the Grand Guignol. Each Friday night at 11pm, in the foyer of the Newtown Theatre in Sydney, be thrilled with a one-hour program of three short plays. Every three months, there’s a brand new selection of plays to entertain, titillate and frighten you senseless…

THEATRE OF BLOOD
Season #1 opens October 30th
11pm Friday nights @ Newtown Theatre
Tickets $19 / Concession $15
Bookings: 8507 3034 or click here


See the mainstage show at the Newtown Theatre as well and pay only $35 for both shows!*

Come in a gothic or horror costume and pay concession prices!*

CURRENTLY SHOWING Season #1

AT THE TELEPHONE
by André de Lorde
Director: Liane Norman
It’s 1902 and the telephone is a wonderful new invention. Marex buys one so he can check on his wife and child while he’s away. The last thing he expects to hear at the end of the line is their cries for help!

THE GUILLOTINE
by Eugène Héros & Léon Abric
Director: Stephen Carnell
Lecardon is an ex-wrestler with a mistress who has a kink for danger. But could their rendezvous at the guillotine be their last?

ORGY IN THE LIGHTHOUSE
by Alfred Marchand
Director: Steven Hopley
Devout young brothers bring two women into a lighthouse during a religious festival, but soon this orgy of sex becomes an orgy of blood…

STEVEN HOPLEY| Director

ANNA GARDINER | Designer

CRAIG WALKER | Stage Manager

Cast: Valentino Arico, Lily Balatincz, Colin Ford, Charles Freyberg, Christine Greenough, Irving Gregory, Jennifer van Heeckeren, Kirsty Kiloh, David Richards, Brendon Taylor, Craig Walker & Kyla Ward

Source: Kyla ward and David Carroll

Review: Blind Eye by Stuart MacBride


‘Blind Eye’ (2009, HarperCollins) is the fifth instalment in the DS Logan McRae series by Scottish crime writer Stuart MacBride. You may remember that Horrorscope recommended the previous novel, ‘Flesh House’, in its 2008 End of Year Editorial. I can say, with certainty, this new novel lives up to the expectations preceding it. MacBride’s flair for the dark side of crime flourishes – and at 517 pages, this one is an epic nod to the genre.

‘Flesh House’ saw its victims thrown into the local food chain (and even fed to other victims, including DS Logan McRae). ‘Blind Eye’ continues the cringe-factor with something believably grounded in real-life practices – someone is attacking members of the Polish community in Aberdeen, gouging out their eyes and burning the sockets, leaving them to be found (barely alive). I say this is grounded in real-life practices because MacBride’s no-nonsense (when necessary) writing instantly immerses you in a world where this could happen, where some sick bastard could do this to others without it seeming a sensationalist inclusion at all.

Perhaps making such a plotline more readable for a wider audience is the dynamic between Logan and his colleagues. Banter shifts from being in-your-face snarling attacks at one’s character to comical observations about each other and life in general. It adds a good depth to the characters that sits well with me. Not every reader would like this though, strained at the thought that such a dark novel isn’t always serious, but such banter ultimately shows you the love and respect, or disrespect, the characters have for each other, and that makes you want to care about what ultimately happens to them.

There are so many issues tackled within this novel as the main plot rolls on, from paedophiles, adoption and IVF for lesbian couples, gangs, street gangs and CCTV, new relationships, promotions, and crooked cops, one can’t help but feel that MacBride has really poured his soul into this instalment. And when you reach the halfway point of the novel and the killer has supposedly been captured, you just know something isn’t quite right. From here, the story twists into a more personal focus on Logan. He travels to Poland to investigate an apparent tie to the practice of burning eye sockets, convinced there is more to the case. Without giving too much away, the meeting in Krakow is a catastrophe of sorts. Logan is involved in a shootout, but has rarely held a gun and had never shot someone – when he does, his first instinct is to help the man instead of running away or ducking for cover. Such brilliant reactions add much more depth to Logan’s character. As does the following scene, in which Logan survives a bomb blast. That is one of the turning points for this well established character – Logan then returns to Aberdeen, returns to isolation, cigarettes, heavy drinking, and thoughts of quitting the police force. He is a broken character, the case stalled.

But of course, most plotlines click into place. MacBride is an expert at seamlessly weaving it all together whilst still leaving several key points hanging in the air for future novels. MacBride has established a good, growing list of characters that I cannot wait to see in the next instalment. Perhaps, as the writing suggests, Logan may even cross a certain line of darkness. One can only wonder...

Wednesday, September 09, 2009

Review: A Man Escaped (France, 1956)


Fontaine (Francois Leterrier) is a French activist who is imprisoned by the Nazis in occupied France during World War 2. He spends his time planning to escape by carefully watching the prison routine and painstakingly fashioning tools from whatever comes to hand. His ingenuity is astonishing as he manages to hide his escape tools in his small cell. Clothing sent to him is torn up and used to make ropes. But all the while he wavers as he tries to find a suitable escape partner and opportunity to escape. Finally, on being told that he will be executed for his crimes, he has the necessary motivation to take the big risk. Complications arise when he is given a cell-mate, Jost, who may or may not be an informer. For Fontaine the dilemma is stark - does he kill the young man or take him with.
This is a tense yet simple film based on a true story. Leterrier has the perfect hangdog Gallic countenance for this kind of thing and Robert Bresson's unflashy direction allows the story to unfold at a measured pace which draws you in. The supporting cast are all good. There's little outright action, and some of the significant events take place off-screen but you find yourself caring about what happens to the plucky Frenchman. The attention to detail is mesmerising and black and white photography quite beautiful. It's a fascinating combination of arthouse and prison escape film.
If you're the sort of person who thought that Transformers 2 didn't have enough explosions, this might not be for you. But if you enjoy a nerve wracking thriller with a human focus give it a try.
The DVD also contains an audio commentary by Ross Gibson, Professor of Contemporary Arts, Sydney College of the Arts, University of Sydney and is released by Madman Entertainment.


Image © 1956 Gaumont - Nouvelle Editions de Films

News: Monsters and Bloodsuckers re-run and online content

Monsters and Bloodsuckers, part of the special Jennifer Byrne Presents series, will re-run on ABC2 on Sunday September 13 at 7pm.

This special episode of First Tuesday Book Club, focuses on the classic horror novels DRACULA by Bram Stoker, THE WEREWOLF OF PARIS by Guy Endore, FRANKENSTEIN by Mary Shelley and DR JEKYLL AND MR HYDE by Robert Louis Stevenson. Guest authors joining Byrn, are noted horror and occult writer Leigh Blackmore, children's book writer Catherine Jinks, novelist Tara Moss, and novelist Will Elliott.


Source: Leigh Blackmore, & www.abc.net.au

Tuesday, September 08, 2009

News: New & Forthcoming Releases from Severed Press

Severed Press, an independent publisher based in Melbourne, have two titles just released - or about to be released!

RESURRECTION

Tim Curran's Resurrection is available for pre-order.

The rain is falling and the dead are rising. 

It began at an ultra-secret government laboratory. Experiments in limb regeneration-an unspeakable union of Medieval alchemy and cutting edge genetics result in the very germ of horror itself: a gene trigger that will reanimate dead tissue…any dead tissue. 

Now it’s loose. It’s gone viral. It’s in the rain. 
And the rain has not stopped falling for weeks. 

As the country floods and corpses float in the streets, as cities are submerged, the evil dead are rising. 

And they are hungry.


Limited Edition 666 page Hardback

Strictly limited to 500 copies.
Release Date: Halloween


Pre Order $29.95 + $6.99 P&P from Severed Press
Contact for shipping quotes outside US


DEAD AMERICA

Just out from Severed Press, Dead America by Australian author Luke Keioskie.

Life's tough in America. Especially when you're dead. Faraday thought finding a runaway girl would be easy money. But when the girl turns up dead - the first American in decades who hasn't relived as a zombie - Faraday must hit the streets to find her killer. Standing in his way are undead gangbangers, a police force rife with bigotry and lifism, and the zombie crime lord of Harlem. But with the help of a necrophilic pathologist, a severed head named Dorothy, and a reporter that would literally give her right arm for a story, Faraday must discover why the dead girl didn't come back to life. And he better be quick before the animosity between the living and the dead sparks a riot that could burn New York City to the ground. In a country where the afterlife is the same as life before death, can anyone really live at all? Welcome to Dead America. Land of the dead and home of the grave.

Available now from Severed Press.

Source: Severed Press

Review: Deadlight by Troy Barnes


Many of you might be aware of Troy Barnes. In 2008, this native Tasmanian burst onto the scene with his self-financed debut, Deadlight. This year, he went on to publish MONOChromacy. Troy’s work is like holding up a mirror to some of the more archetypal horror stories of the past, but he still manages to find his own voice over the extended length of a supernatural thriller.

What has consistently drawn me to Deadlight over the past two years (and finally bugged me enough to obtain it) has been the cover illustration. From a distance, it always piqued my interest; the dynamic blue colour scheme by graphic designer Jessica Turale is like a beacon honing in all like-minded souls. After a quick perusal of the art and blurb, we have a very good idea of the territory we’re about to inhabit.

Carter City: Detectives Nathan Stone and his partner Ritchie Clements are on the trail of a female serial killer dubbed ‘The Messenger’. Over time, with no clues and no leads, the bodies start piling up and it becomes obvious they are dealing with a young woman of no ordinary ilk. With almost uncanny super-human strength and agility, Sarah is able to fight and ‘see’ the malignancy that inhabits a human spirit who has committed heinous acts in the past. This gift (or curse) was bestowed upon her after awakening from a coma. Her assignment on this side of the veil is to dispatch those who dwell within the Deadlight.

Right off the bat, we know we are dealing with a debut novel. Regular typos become apparent, which can have quite a jarring impact (although I have noticed this with a few Australian publications over the past couple of years). Commas and question marks are missing, and general words like ‘and’ and ‘the’ can be found substituted for something else. There are breaks in the narrative that are missing three asterisks at the bottom. That said, this is highly common and should be easily rectified. It is obvious, however, that portions of the novel need an editor’s zeal and suggestions. Troy shows great promise but seems to have been let down in this regard.

There is a great portion of the book that deals with police mythos and work. In parts, it’s gritty and stylish, reflecting a kind of washed-out sepia world of chain smoking detectives whose life is their work. In other parts, the banter can be loose and ill-fitting. It seems Troy has taken the tack of imagining with little thought to verisimilitude. Again, this is something that can be remedied. When reading, I was reminded of how Stephen King once achieved this. After completing a preliminary draft of From a Buick 8, he took it upon himself to spend some time with real-life troopers in Pennsylvania, thereby adding some real flavour that was not just guesswork and things cobbled together from watching reams of modern US cop shows. Of course, not everyone can have these resources at their disposal, so Troy is ultimately to be forgiven.

Things certainly crank up around page 120 as Sarah is more heavily introduced into the fray of the wicked. One of the positive things here is Troy is no slouch when it comes to blood letting: Sarah’s lack of conscience and irrational behavior can be grating at the start, but over the course of the novel, we see how and why she has been led down this path. Suddenly, her more erratic behavior makes sense as we are granted a portal into the genesis of her ‘awakening’. At times, her method of purging humanity’s dross happily reminded me of celluloid serial ‘Jigsaw’ from the Saw franchise. We have the same ethical conundrums that present themselves … and slaughter methods that are just as effective.

After completing the novel, I was in two minds: on one hand, the errors can be quite jarring and make the reader recoil. On the other, we know we’re dealing with an author who is just in his career infancy. Troy Barnes is talented, there is no doubt about that. And you can tell he really cares about what he is doing. There’s heart in Deadlight and determination. I imagine that by his third or fourth effort, he will have found a dedicated readership and a coherent narrative that will ultimately sell books. For this reason, Deadlight is certainly worth its purchase.

Copies of Deadlight can be ordered from the author’s website.

Monday, September 07, 2009

Book review: Ravens

TWO disgruntled IT managers hold a small town family to ransom for half of their lottery winnings in this surprisingly good thriller by US author George Dawes Green.

More than just your typical family forced to fight back story, Green manages to breathe fresh air into the genre by focusing on the strain the scam plays on the offenders’ relationship more so that the crime itself.

Shaw and Romeo are lonely people, small time thugs who have survived a cruel world solely on their friendship. But that friendship is pushed to breaking point when Shaw finds an unexpected popularity from both the family they are holding to ransom and the townsfolk.

It is the exploration of this relationship that makes Ravens such a good read. While the tension of the hostage situation never wavers, Green is able to subtly weave themes of friendship, loyalty and the yearning for acceptance into the story. You feel for the offenders and it is this constant shift between sympathy and disgust that keeps you engaged.

Sadly, the relationship takes a back seat in the final chapters as Green resorts back to the ``family fights back'' plot line to wrap things up. While the conclusion is tense and well written, it feels like a let down after so much work has been done exploring the relationship between the two criminals.


Review: Ravens By George Dawes Green

Published by Sphere

Paperback – 325 pages

RRP: $32.99. Out now

Interview: Dexter creator Jeff Lindsay

Interview by Gary Kemble

The adventures of Dexter Morgan, a forensic blood splatter analyst for the Miami-Metro Police Department by day, serial killer by night has proved a big hit since hitting the shelves in 2004. This week, Dexter creator Jeff Lindsay heads Down Under for the first time.

HS: Why has Dexter struck a chord?

JL: Everybody seems to come up with a different theory, I think it's just people like an outsider who does forbidden things and tells them about themselves in a new and interesting way. To cut right to the chase everybody has a list, Dexter is doing something about his list.

HS: Do you think Dexter as part of the superhero genre, like a post-modern Punisher or Dark Knight?

JL: Not consciously. I read comic books as a kid like everybody else and I still like them, but I didn't really think of him in that way. The post-modern thing makes me nervous because I get nervous when people take me too seriously.

HS: Serial killers are likeable, they always know what to do and what to say. Do you think that's part of the appeal?

JL: Every one you read about, there's always someone who says 'he was so likeable'. I do make a point of that with Dexter, the reason he's likeable is that he's learnt what likeable people do and he just does it by rote. It's a performance and he's a good performer. And there's plenty of people out there like that. They're not all serial killers but if you look at the missing persons statistics I'd say some of them are.

HS: And sociopaths in the corporate world do pretty well?

JL: [Laughs] Yes, they do.

HS: I wanted to ask you about the research process. The book you're currently working on involves cannibalism. You must have to read some grim stuff. Does that have an impact on you personally, having to read all that quite dark stuff?

JL: Yeah it does. At the end of the day when you've been in that world you really need to take a deep breath and hug a puppy and read Dr Seuss to the kids and have a glass of wine and try to shake it off. But there were a couple of things recently for the cannibalism thing that were really giving me trouble for a couple of weeks. Bad dreams and things like that. It's not always easy to shake it off.

HS: Is it getting harder with each book because Dexter's existing in our society and not being discovered?

JL: The thing you really have to watch for is when it gets too easy, because there are plenty of writers who have done a long series of books with the same characters and you can tell when they start to just phone it in. Automatic writing. And I don't want that to happen. So I do try to set things to make it a little harder for myself to keep me interested.

I kind of reached a crisis point with book three where I really thought about clunking Dexter on the head and throwing him into the bay, and moving on with life. But my wife and my agent talked me out of it. [Laughs]

HS: It's a popular character and putting the commercial side of it to one side, there are a lot of people who want to see Dexter continue because they have such fun reading the books. But for you as a writer I guess you would have to weigh that up with each book. Is this pushing it too far? Where else can I take this?

JL: Back in the old days when I was an intellectual I read a book called The Fool and His Sceptre, and the whole premise of it was explaining the court jester, the medieval fool, and his job was to push the line every day and if he didn't push far enough over the line, he'd be beaten and fired and be out of a job, and if he pushed too far over the line, he'd be beaten and fired and out of a job. So it's a question of having to draw the line in a new place every day and it's kind of like that with this.

Great example is with Dexter teaching the kids to be careful killers. It's a funny thought. But when you come down to how does he do it. I'm right there in the territory of where the line is.

HS: I'd imagine not everyone is a fan of Dexter. How do you deal with the criticism you must get?

JL: You know, the only criticism I've got to my face is from people who know me, who look at me funny and go, 'You're a sick bastard aren't you?'. As far as criticism larger goes, the reviews have been good. People who read it like it. There's one lunatic fringe group, I forget what they're called, five or 10 guys with a fax machine, they sent out a couple of faxes about how Dexter was going to turn our children into serial killers.

Like I say, that's lunatic fringe stuff. A couple of papers picked it up because it's the kind of story that gets people thinking there's a controversy but there's not. If a TV show can turn your children into serial killers, you've got bigger problems than any book or TV show can handle.

HS: I read a lot of horror and you do get those glances when you tell people you're a fan. But there's a huge difference between reading or writing books about horrible things and doing horrible things?

JL: A book, no matter how horrible, is not going to turn you into a serial killer. Books don't have that power. If it's in you already it may stir it or help shape it or something but if it's in you already you've already got problems and you can't blame it on the book.

HS: You're heading Down Under for the Brisbane Writers Festival and some other appearances. Could you imagine being inspired to write a Dexter book set in Australia, or would that be too cheesy?

JL: I could do that, and then I could bring my wife back and it would be tax deductable so maybe that would be a good idea. She's already pissed off that I'm not bringing her. [Laughs]

Jeff Lindsay tour dates

September 9-13: Brisbane Writers Festival

September 15 (5:30pm): ANU Meet the Author
Details: 'In Conversation' with Jeff Popple, plus Q&A and signing
Address: Australian National University

September 16 (5:30pm): Dymocks Melbourne CBD
Details: reading and book signing

September 16 (7pm): Readings Hawthorn and Sisters in Crime, Melbourne
Details: 'In Conversation' with Sue Turnbull, Q&A, signing.

September 17 (7:15pm): Shearer's @ Palace Cinemas, Sydney
Details: Talk, Q&A, signing