Tuesday, March 31, 2009

News: Angel star Andy Hallett dies aged 33

Andy Hallett, who starred as Lorne (otherwise known as Krevlornswath of the Deathwok Clan or simply "the Host") on the Buffy spin-off TV series Angel, died of heart failure last night at age 33. Hallett passed away at Cedars-Sinai Hospital in Los Angeles after a five-year battle with heart disease.

Hallett's character Lorne was one of the most popular characters on the show, co-starring in over 70 episodes between 2000 and 2004. Lorne was the musically-talented host of a demon karaoke bar for much of the show's run before becoming an entertainment agent for the stars at evil law firm Wolfram & Hart.

Hallett was also an accomplished musician and sang two songs ("Lady Marmalade" and "It's Not Easy Being Green") on the 2005 soundtrack Angel: Live Fast, Die Never.

According to e-online, Hallett spent his post-Angel years working on his music career, playing shows around the US. He had been admitted to hospital a few times in recent years for his heart condition.

Hallett's death is the second amongst the cast of Angel. Original cast member Glenn Quinn, who played half-demon hero Doyle in Season One, died in 2002.


Source: e-online

Monday, March 30, 2009

News: Australian Dark Fantasy & Horror Vol3 on sale

After a delay, Australian Dark Fantasy & Horror Volume 3 (ADFH3) goes on sale in bookstores around the country this week.

This anthology is the third installment in the annual dark fiction anthology edited by Angela Challis and published by Brimstone Press.

The table of contents is:

  • "The Dark and What It Said" by Rick Kennett (Ditmar Award winner)
  • "Between the Memories" by Matthew Chrulew (Australian Shadows Award nominee)
  • "The Wildflowers" by Marty Young
  • "The Jeweller of Second-hand Roe" by Anna Tambour (Aurealis Award winner)
  • "A Scar for Leida" by Deborah Biancotti (Aurealis Award winner)
  • "Special Perceptions" by Richard Harland (Australian Shadows Award nominee)
  • "Dead Air" by Gary Kemble
  • "There Was Darkness" by Martin Livings (Australian Shadows Award nominee)
  • "The Ringing Sound of Death on the Water Tank" by Stephanie Campisi
  • "Trail of Dead" by Joanne Anderton
  • "Kadimakara and Curlew" by Jason Nahrung
  • "Lion’s Breath" by Miranda Siemienowicz
  • "The Cutting Room" by Shane Jiraiya Cummings
  • "Signs of Death" by Sean Williams
  • "Subtle Invasion" by David Conyers (Australian Shadows Award nominee)

ADFH3 also contains a comprehensive summary of dark fiction in Australia and appendices on dark fiction resources and the major genre fiction awards in Australia.

Australian Dark Fantasy & Horror Volume 3 can be purchased from (or ordered through) Dymocks stores and most independents, Indie Books Online, or directly from the Brimstone Press website.

Sunday, March 29, 2009

News: Anomalous Appetites anthology

New Zealand publisher Preshrunk Press has released its horror and science fiction poetry anthology Anomalous Appetites.

Of the anthology, editor John Irvine says:
"Never before has an anthology like this been attempted. Many publishers spurn poetry, citing a lack of interest from the buying reader. However, it has long been my desire to offer poets in the speculative genre a platform to display their talents. I looked for subtle rather than brutal when selecting the final contributions, trying to avoid the ‘Hollywood’ style of hack and slash employed by most other magazines and anthologies in the genre. I wanted to offer the reader a vastly different experience.

"For those readers who like their horror and sci-fi sautéed slowly with garlic and served up on fine china, then this anthology is for you. Do not expect axe hacking, explosions, bug eyed monsters or crudeness. Do expect fine and subtle poetry augmented by exquisite art … every single poem is illustrated.

"This is a collector’s anthology, created for those who are a little more discerning in their speculative tastes. We offer two hundred and nine pages of the best speculative poetry and art you will ever see from poets and artists from all corners of this creative planet."

Anomalous Appetites can be ordered from Lulu.


Source: John Irvine/AHWA

News: Studies in Australian Weird Fiction Issue #3

Studies in Australian Weird Fiction (SiAWF), the critical journal of Australian horror and weird fiction, is to publish its third issue in May.

The journal continues to deliver in-depth essays, articles, and symposium debates, and is an invaluable reference on Australian writers of the dark and weird. Articles in issue #3 range from studies on the works of William Sylvester Walker, L. Furze-Morrish and J. Filmore Sherry to John Brosnan, poet Hugh McCrae, and musician Nick Cave.

SiAWF also has interviews with Kim Wilkins, Margo Lanagan, Shane Jiraiya Cummings, Cat Sparks, Neil Cladingboel, Lyn Battersby, Graeme Flanagan, and outgoing editor Benjamin Szumskyj, as well as an insightful study of Australian horror films by Robert Hood. Copies can be ordered from Equilibrium Books.


Source: Benjamin Szumskyj

News: Semaphore Magazine

Semaphore Magazine is a speculative fiction publication from New Zealand founded in December 2007 that is open to submissions of dark fiction from writers Down Under.

Editor-in-Chief Marie Hodgkinson says:
"Semaphore Magazine is a small publication run from a small flat in a small country, but our books can be found on shelves and hard drives across the globe. We publish online issues on a quarterly basis and are open to submissions of all genres - but with some specific limitations, which may chafe a little for horror writers. So as not to unduly break young minds, we do not publish works with explicit violent or sexual content - instead, we want suspense, atmosphere, brilliant storytelling, and the sort of writing that lets those breakable young minds imagine their own fascinating terrors without having it spelled out for them."

Further information on the magazine is available at the Semaphore website.

Source: AHWA

News: KSP Speculative Fiction Awards

Entries are now being accepted for the 2009 Katharine Susannah Prichard Speculative Fiction Awards, an annual writing contest hosted by Perth's KSP Writers Centre.

Entries close on 29 May 2009 and writers of all ages are invited to submit their work. A fee of $7.50 per story applies for all Open Category entries; however young writers under 20 are encouraged to enter and may submit their work for free.

Cash prizes are awarded, and winners will be invited to read at the Awards Ceremony on Sunday 16 August.

Stories must be between 1500 and 3500 words, and all forms of speculative fiction are welcome.

Further information is available from the KSP website.


Source: KSP Writers Centre

News: Kaaron Warren joins Angry Robot

Kaaron WarrenFiji-based Australian dark fiction author Kaaron Warren is among the first authors to be published by HarperCollins UK's edgy new SF/F/Horror imprint Angry Robot.

Kaaron's award-winning short fiction has appeared in Year’s Best Horror & Fantasy, the Poe and Haunted Legends anthologies, Fantasy magazine, Paper Cities, and many other venues in the US, Europe and Australia. Her short story “A Positive” has been made into a short film called Patience, and her first ever published short story “White Bed” was dramatised for the stage in Australia.

Her novel Slights (the first of three novels to be published by Angry Robot) is to be published on June 26 (UK) and September 1 (Australia, USA, Canada, and elsewhere).

About Slights:
Stephanie is a killer. After an accident in which her mother dies, she has a near-death experience and finds herself in a room full of people - everyone she’s ever pissed off. They clutch at her, scratch and tear at her. But she finds herself drawn back to this place, again and again, determined to unlock its secrets. Which means she has to die, again and again.

And she starts to wonder whether other people see the same room… when they die.


Source: Angry Robot

Review: Left 4 Dead

There have been countless survival horror video games since Resident Evil got the severed head rolling in 1996, but Left 4 Dead takes things in a new direction, making your friends just as important as your enemies.

You play one of four survivors - tattooed biker Francis, horror flick fan Zoey, Nam veteran Bill, or IT geek Louis - trying to escape from a series of zombie-infested locales including city hospitals, sewers, airports, nature reserves, cornfields, and rural towns.

While you can slug through the four campaigns by yourself, the real joy comes when you hook up with friends and play online. When you're snug in the 'safe room', it's easy to abandon a computer-controlled ally who's fallen to the ravenous zombie horde, but much harder when it's a mate (screaming at you to help them, if you're playing with headsets enabled).

Each of the campaigns can be played independently, and they're styled as z-grade movies with titles such as No Mercy, Blood Harvest, and Road Toll, 'movie posters' and credits at the end.

Lovers of fast and slow zombies are catered for. In general, they lurch around like extras in a George Romero flick but piss them off by, for example, triggering a car alarm, and you've got yourself a 28 Days Later-style gorefest.

There are also 'special' zombies to keep you on your toes: the vomiting Boomer, acrobatic Hunter, Gene Simmons-esque Smoker, the Hulk-like Tank, and the downright freaky Witch (if you hear crying, turn off your goddamned torch).

Fear not. You're armed with a pistol (unlimited ammo) and can pick up other weapons as you go: Uzi, pump-action shotgun, M16A3 assault rifle, Benelli M4 Super 90 combat shotgun, and Ruger Mini-14 rifle. There's also molotovs and pipe bombs (which actually attract zombies, for maximum splat).

It's the details that make this game come alive. The corpse lying on the bed by the light of the flickering TV; the roaches that run from underneath the wrecked fridge door; the graffiti scratched onto the safe house walls (No zombie is safe from Chicago Ted).

Like most half-decent zombie flicks, each campaign ends with a desperate battle against wave after wave of undead freaks. But if you make it, if the four of you survive intact, there's a real sense of achievement.

Left 4 Dead is the closest you can get to a zombie apocalypse, without actually being in one.

Left 4 Dead is available from all good games stores for the PC and Xbox 360. This review refers to the Xbox 360 version.



Guest review by Gary Kemble

News: 2009 Bram Stoker Award finalists

The finalists for the 2009 Bram Stoker Awards, issued by the international Horror Writers Association to celebrate superior achievement in horror fiction, have been announced.

This year's shortlisted finalists are:

Superior Achievement in a Novel

COFFIN COUNTY by Gary Braunbeck (Leisure Books)
THE REACH by Nate Kenyon (Leisure Books)
DUMA KEY by Stephen King (Scribner)
JOHNNY GRUESOME by Gregory Lamberson (Bad Moon Books/Medallion Press)

Superior Achievement in a First Novel

MIDNIGHT ON MOURN STREET by Christopher Conlon (Earthling Publications)
THE GENTLING BOX by Lisa Mannetti (Dark Hart Press)
MONSTER BEHIND THE WHEEL by Michael McCarty and Mark McLaughlin (Delirium Books)
THE SUICIDE COLLECTORS by David Oppegaard (St. Martin's Press)
FROZEN BLOOD by Joel A. Sutherland (Lachesis Publishing)

Superior Achievement in Long Fiction

THE SHALLOW END OF THE POOL by Adam-Troy Castro (Creeping Hemlock Press)
MIRANDA by John R. Little (Bad Moon Books)
REDEMPTION ROADSHOW by Weston Ochse (Burning Effigy Press)
THE CONFESSIONS OF ST. ZACH by Gene O'Neill (Bad Moon Books)

Superior Achievement in Short Fiction

PETRIFIED by Scott Edelman (Desolate Souls)
THE LOST by Sarah Langan (Cemetery Dance Publications)
THE DUDE WHO COLLECTED LOVECRAFT by Nick Mamatas, and Tim Pratt (Chizine)
EVIDENCE OF LOVE IN A CASE OF ABANDONMENT by M. Rickert (Magazine of Fantasy & Science Fiction)
TURTLE by Lee Thomas (Doorways)

Superior Achievement in an Anthology

LIKE A CHINESE TATTOO edited by Bill Breedlove (Dark Arts Books)
HORROR LIBRARY, VOL. 3 edited by R. J. Cavender (Cutting Block Press)
BENEATH THE SURFACE edited by Tim Deal (Shroud Publishing)
UNSPEAKABLE HORROR edited by Vince A. Liaguno and Chad Helder (Dark Scribe Press)

Superior Achievement in a Collection

THE NUMBER 121 TO PENNSYLVANIA by Kealan Patrick Burke (Cemetery Dance Publications)
MAMA’S BOY and Other Dark Tales by Fran Friel (Apex Publications)
JUST AFTER SUNSET by Stephen King (Scribner)
MR. GAUNT AND OTHER UNEASY ENCOUNTERS by John Langan (Prime Books)
GLEEFULLY MACABRE TALES by Jeff Strand (Delirium Books)

Superior Achievement in Nonfiction

CHEAP SCARES by Gregory Lamberson (McFarland)
ZOMBIE CSU by Jonathan Maberry (Citadel Press)
A HALLOWE'EN ANTHOLOGY by Lisa Morton (McFarland)
THE BOOK OF LISTS: HORROR by Amy Wallace, Del Howison, and Scott Bradley (HarperCollins)

Superior Achievement in a Poetry Collection

THE NIGHTMARE COLLECTION by Bruce Boston (Dark Regions Press)
THE PHANTOM WORLD by Gary William Crawford (Sam's Dot Publishing)
VIRGIN OF THE APOCALYPSE by Corrine De Winter (Sam's Dot Publishing)
ATTACK OF THE TWO-HEADED POETRY MONSTER by Mark McLaughlin and Michael McCarty (Skullvines Press)


Source: HWA

News: 2008 Australian Shadows Award winner

As has been announced elsewhere, Lee Battersby's novelette "The Claws of Native Ghosts" (The Beast Within, ed. Matt Hults) has won the 2008 Australian Shadows Award.

The Australian Shadows Award is the pinnacle award for horror fiction in Australia. The award was established in 2005 by Altair Australia on behalf of the Australian Horror Writers Association.

The judges reports are here and an interview with Battersby has been posted on ABC's Articulate.

Friday, March 27, 2009

Book Review: The Forest of Hands and Teeth

Carrie Ryan, 2009, Gollancz

Mary’s mother used to tell stories of the world before the Return, before the dead rose and civilisation fell; of a time before the Sisterhood, and the Guardians, and the fence that surrounds The Village, protecting the last human survivors from the Forest of Hands and Teeth. But now Mary’s mother walks with the dead, and Mary is beginning to learn that the accepted truths of her world hide a multitude of secrets. Could there be life, after all, beyond the fence? Could the ocean be more than just a fantasy?

And when the fence is finally breached by the Unconsecrated, could Mary’s inability to choose between love and duty, between The Village and some imagined world beyond the forest, really spell the end of everything and everyone she has ever known?

The publishers of The Forest of Hands and Teeth have been actively likening this book to Stephanie Meyer’s Twilight, which makes a great deal of sense from a marketing point-of-view, but is really rather unfair to author Carrie Ryan, as The Forest of Hands and Teeth truly is so much better than Twilight on numerous levels.

Ryan has taken a familiar horror theme - the apocalyptic zombie tale – and refreshed it by setting Mary’s story several generations beyond the fall of civilisation, with an intriguing and exciting plot that never quite takes the expected path. The book is well written, the language concise and easy to read, for which readers should forgive the author’s occasional tendency to ‘tell’ rather than ‘show’. The characters – young adults, for the most part – are as realistically flawed as any teen you may meet, and never fall to stereotyping. Even the romantic element dominating the narrative is brilliantly handled, and here Ryan obviously has taken a leaf from Meyer’s book by depicting love and sex as being scary as all hell (an aspect of Twilight to which many attribute Meyer’s phenomenal success), tapping into the most fundamental of all teenage anxieties. However, Ryan tops Meyer by raising the stakes to truly horrifying levels, where the distractions posed by lust may not simply cause you to fall for the wrong guy, but could quite literally lead to the destruction of humanity.

Despite being categorised as a Young Adult novel, The Forest of Hands and Teeth certainly doesn’t shy away from a quite adult level of both horror and sexuality, although in both cases far more is suggested (or at least understated) than actually shown. Nonetheless, this is a book I would recommend to anyone, adult or teen, regardless of whether their tastes run more to horror or to romance, or even just to great human drama.

More from Carrie Ryan, please!

Book Review: Handling the Undead

John Ajvide Lindqvist, 2005 (English translation 2009), Penguin Books Australia

Something very weird is going on in Stockholm. Every electrical appliance in the city refuses to power down. The entire population are struck by blinding headaches, which slowly build in pressure before suddenly vanishing. And then, in morgues and cemeteries across Stockholm, the recently-dead begin to rise.

Handling the Undead is a beautifully-written, sad, and occasionally quite creepy novel about loss and the very human inability to deal with it, which utilises the zombie trope in new and fascinating ways. The walking dead of Sweden are not the ravenous flesh-eaters of Romero’s creation (at least, not exactly), but ordinary dead folk who rise, and walk, and attempt to return to those they left behind (thereby having more in common with the zombies from the 2004 French movie, Les Revenants). But not everything is as it seems. It soon becomes apparent that the ‘Reliving’ are not entirely whole, and that something other than memory or even humanity now drives them. It’s difficult to say more without giving away too much, but I will hint that much of the plot hinges not upon how the zombies affect the living – an issue nonetheless well-addressed – but upon how the living affect the dead.

Handling the Undead is a definite ‘must read’, as is Ajvide’s previous novel, Let the Right One In, which deals with vampirism. Given that the current movie adaptation of Let the Right One In (scripted by Ajvide himself) has been such a massive commercial and critical success worldwide, it seems likely that we’ll be seeing a film treatment of Handling the Undead soon.

Wednesday, March 25, 2009

News: Arthur C. Clarke Award 2009

The shortlist for the Arthur C. Clarke Award for the best SF novel published in the UK in 2008 has been announced. The winner will be announced on April 29.

  • Song of Time by Ian R. MacLeod (PS Publishing)
  • The Quiet War by Paul McAuley (Gollanncz)
  • House of Suns by Alastair Reynolds (Gollancz)
  • Anathem by Neal Stephenson (Atlantic)
  • The Margarets by Sheri S. Tepper (Gollancz)
  • Martin Martin’s on the Other Side by Mark Wernham (Jonathan Cape)


Source: Brendan Fredericks, Publicist, Orion

Tuesday, March 24, 2009

News: A Night of Horror Special Event: How to Make a Horror Feature Film Forum

A Night of Horror International Film Festival proudly presents this exclusive pre-festival event at Metro Screen - learn the ins and outs of making an independent horror feature film from filmmakers who have successfully navigated the process!

Special guest feature filmmakers: Ursula Dabrowsy (FAMILY DEMONS), Mike Masters (REEL ZOMBIES), Stacey Edmonds and Doug Turner (I KNOW HOW MANY RUNS YOU SCORED LAST SUMMER). And forum chair ABC Movietime journalist Jason Di Rosso.

And meet the filmmakers and enjoy FREE DRINKS at the forum's meet and greet thanks to HOWLING WOLVES WINES and DEMON ENERGY DRINK.

25 March 2009 - starts 6:30pm sharp!

Metro Screen, Paddington Town Hall,
Corner Oxford Street and Oatley Road, Paddington NSW

Tickets: $15 at the door. Phone 93561818 for more information.

Source: A Night of Horror International Film Festival

News: Ozploitation Shorts Showcase presented by A Night of Horror

Don’t miss your chance to see this gut-wrenching line-up of shorts from Australia’s up and coming generation of horror filmmakers. It’s a bloody fantastic program packed with frights, laughs, and gore, proving that the spirit of 70s and 80s Ozploitation cinema is still undead and kicking.

Films:

  • DARKER AFTER MIDNIGHT – 6 min (Michael Chrisoulakis)
  • FRIDGE DAEMON - 6 min (Peter Powell)
  • THE FUNNY MAN – 9 min (Karl Madderom)
  • SERIAL KILLER OF THE LIVING DEAD – 3 min (Grant Carter)
  • CONTROL - 7 min (Charles Spiteri)
  • COMPACTORS – 8 min (Oliver Kennedy)
  • WHAT IF? - 8 min (Michele Roget)
  • BREATHING – 6 min (Shaila Quadra)
  • THE EVIL DOG & THE LOVELY PUSSYCAT – 4 min (Lee Marquardt)
  • THE SWITCH – 9 min (Sean Rom)
  • HAUNTED AUSTRALIA – 7 min (Ian Nicholson)
  • VICTORIA – 8 min (Gareth James)
  • INTO THE DARK – 12 min (Amanda Bland)
  • FAMILY BIZNESS – 10 min (Dick Dale)

FREE DRINK on Arrival! Tickets $15 at the door.

25 March, 9pm - Rated R 18+

Metro Screen, Paddington Town Hall
Corner Oxford St & Oatley Rd
Sydney, Australia


Source: A Night of Horror International Film Festival

News: A Night of Horror opening night screening of The Broken

A Night of Horror International Film Festival is opening with the Australian Premiere screening of The Broken.

The Broken is the creepily atmospheric second feature film from OSCAR and BAFTA nominated director Sean Ellis (Best Short Film: CASHBACK).

On a busy street in London, Gina (Lena Heady) thinks she sees herself drive past in her own car. Stunned by this strange event, Gina follows the mystery woman up to her apartment. From here, events take an eerie turn for the worse until Gina's awareness slides from solid reality into a nightmarish existence.


Complimentary drinks on arrival! DVD giveaways on the night courtesy of ICON Films INSOMNIA line!

26 March, 7pm - rated R 18+

The Brøken - 88 Min (UK) Director: Sean Ellis 2008
(Australian Premiere)
Accompanied by the short films:
The Strange Case of Mr Hollow 7 Min - Rodrigo Gudino (Canada)
Corrections 10 Min - Bob Franklin (Australia)

Dendy Cinema Newtown
261 King St, Newtown NSW


Source: Bryant Johnston

News: A Night of Horror presents: I Know How Many Runs You Scored Last Summer

Mass Murder... it's just not cricket.
In the heady Australian summer of ‘89 a young cricketer is hospitalized by his bullying teammates. 20 years later he returns to his homeland to wreak his bloody revenge. Scotland Yard hotshot Kim Reynolds arrives in Sydney to assist New South Wales Detectives Gary Chance and Shane Scott in the hunt for the serial killer terrorizing Sydney. The remaining team members are relocated to a safe house in Joadja Creek, Illawarra; unfortunately it doesn’t turn out to be that safe!

One by one in the remote Australian outback the team members are dismissed by a moustachioed serial killer with a razor sharp cricket glove and an arsenal of sharpened stumps.


The Australian cricket-themed satirical slasher feature film, I KNOW HOW MANY RUNS YOU SCORED LAST SUMMER steps up to crease in 2009. Sharpen up your game.

Special guests Stacey Edmonds and Doug Turner - the film's directors/producers - will be at the screening's Q&A and also at the fest's Horror Filmmaking Forum.

With CRUMPLER bag giveaways on the night!

Tickets $15 / $11 concession, Phone 95505699 for more information.

26 March, 9pm - Rated MA 15+

Dendy Cinema, Newtown
261-263 King St, Newtown
Sydney, Australia

Source: A Night Of Horror International Film Festival

News: A Night of Horror presents: Mum & Dad

They f**k you up.
Set around a major London airport, MUM & DAD is about a murderous and perverse family who live at the end of a runway. They live off the airport, feeding off the black market and sending their two adopted children out to bring back victims for Mum to torture and Dad to kill.

Lena, a young Polish worker, is one of these victims. The film charts Lena's battle to survive Mum and Dad's savage parental regime, until finally, Lena finds her only way out is to become as savage and brutal as the family itself.


Gore Zone calls MUM & DAD "The Best UK Horror of the last decade". See it for yourself, and you'll know why.


27 March, 7pm - Rated R 18+

Mum & Dad - 85 Min (UK) Director: Steven Sheil 2008
(Australian Premiere)
Accompanied by the short films:
Daugher Of The Above - 12 Min Rodney Bolton (Australia)
The Ugly File - 10 Min Mark Steensland (USA)

Tickets $15 / $12 concession. Bookings on (02) 95505699.

Dendy Cinema, Newtown
261-263 King Street Newtown
Sydney NSW, Australia


Source: A Night Of Horror International Film Festival

News: A Night of Horror Presents: Family Demons

Family Demons - they never let you go.

When Billie, an abused teenage girl, murders her alcoholic mother, she is horrified to discover that the mother’s vengeful spirit returns to haunt her. Even in death, the mother is hell bent on denying Billie her freedom.


FAMILY DEMONS will leave you uncertain as to whether you are watching reality or a character’s perception of reality, similar in tone to THE SIXTH SENSE and THE OTHERS. Thematic and visual references in FAMILY DEMONS hark back to Brian de Palma’s horror classic, CARRIE and contemporary Japanese and Korean ghost stories, such as THE GRUDGE and TALE OF TWO SISTERS. Inspired by real events, FAMILY DEMONS is a powerful and disturbing chiller, and an amazing feature debut from director Ursula Dabrowsky. We are proud to host the world premiere of her film at A Night of Horror.

Ursula is flying in from Adelaide for a Q&A at her screening. She will also be on the panel at the festival's Horror Filmmaking Forum at Metro Screen on Wednesday, March 25.


27 March, 9pm - Rated R 18+

Family Demons - 80 Min (Australia) Director: Ursula Dabrowsky 2009
(World Premiere)
Accompanied by the short film:
Hold Your Fire 8 Min - Wes Benscoter (USA)

Tickets $15 / $11, Phone (02) 95505699 for bookings.

Dendy Cinema, Newtown
261-263 King St, Newtown
Sydney NSW, Australia

Source: A Night Of Horror International Film Festival

News: A Night of Horror presents: Midnight Movie

Here's your chance for a genuine old school grindhouse experience! Come to the festival's midnight screening of MIDNIGHT MOVIE, a film that hearkens back to such genre classic as DEMONS, A NIGHTMARE ON ELM STREET, and TEXAS CHAINSAW MASSACRE. The perfect film to screen at the witching hour!

At a run down theater in a sleepy suburban town, a group of friends get together for a midnight screening of an early 1970's horror film. The director/star is thought to have died five years earlier in a psych ward massacre. But the detective and doctor who witnessed the aftermath of the bloodbath suspect that the director was not a victim, but the perpetrator of the killings and is still on the loose. What none of them understand is that he has enshrined his soul into the film itself.

As the film starts, the kids heckle the old black-and-white scenes, but are jolted when the movie's gruesome killer butchers one of their friends on screen! They realize that it is not the prank that they had hoped it was as they soon become the stars of the very movie they are watching on the screen. Caught between the world of reality and the screen's flickering shadows, these unsuspecting viewers fight to stay alive in the locked theater.


27 March, 11:45 - feature starts at 12:00am sharp! Rated R 18+

Midnight Movie - 82 Min (USA) Director: Jack Messitt 2008
(Australian Premiere)
Accompanied by the short film:
Dead Bones - 18 Min Olivier Beguin (Switzerland)

Dendy Cinema Newtown
261-263 King Street, Newtown
Sydney NSW, Australia

Tickets $15 / $12 - INCLUDES FREE ENERGY DRINK! Courtesy of DEMOM ENERGY and DVD trivia giveaways on the night! Phone (02) 9550 5699 for bookings.

Source: A Night Of Horror International Film Festival

News: Free Forum with Ian Hunter - The Dark Knight's visual effects supervisor

A Night of Horror International Film Festival and The International Film School Sydney are proud to present visual effects master Ian Hunter (New Deal Studios) in a free public forum.

With over 20 years of experience in the industry, Ian is one of the world’s leading visual effects supervisors. You’ve seen recent examples of his stunning work in: THE DARK KNIGHT, THE CHRONICLES OF NARNIA, SPIDER MAN 3, and WAR OF THE WORLDS.

Ian will be screening samples of his work, special behind the scenes footage, and talking about the ins and outs of the visual effects industry. The free forum takes place this Saturday March 28, 1:00pm, at The International Film School Sydney, 27 Rosebery Ave, Rosebery.

For your complimentary ticket(s) to this special event please RSVP to Sam Mclean on: (02) 9663 3789

And don’t miss Ian’s visually mesmerising short film ALLURE when it screens as part of A Night of Horror International Film Festival! The festival runs from March 26 to April 3, at Dendy Cinema Newtown.

Festival tickets from Dendy Newtown: (02) 9550 5699

More details at the festival’s official site: www.anightofhorror.com

Source: A Night Of Horror on MySpace

News: A Night Of Horror International Film Festival Shorts Program

A Night Of Horror International Film Festival is delighted to present a special program of bite sized horror treats - short films to shock and entice. The program is spread over three installments, all of which are not to be missed!

March 28th, 4pm - Shorts Programme #1: Horror Comedies & Animations
A line-up of hilarious, disgusting, wild and wonderful horror comedies & animations from all around the world that will leave you in stitches!

Em - 8 Min Joshua Long (AU)
Shut Eye Hotel - 7 Min Bill Plympton (USA)
Soul Mates - 19 Min Tom Flynn (USA)
Little Snaps of Horror - 2 Min Graham Rathlin (UK)
Evil Twin - 4 Min Yun Wang (Taiwan / USA)
Aim for the Heart - 6 Min Fernando Huerto (USA)
Bad Reception - 7 Min Kyla Ward (AU)
C/O Flap Jackson - 6 Min John Lustig (USA)
Death in Charge - 15 Min Devi Snively (USA)
Where Nightmares Feed - 3 Min Pete Sleeper (USA)
Treevenge - 16 Min Jason Eisener (Can)

March 29, 4pm - Shorts Programme #2: H.P Lovecraft & Other Adapted Shorts
Join us for a line-up of shorts inspired by the legendary author H.P Lovecraft

H.P Lovecraft - 5 Min Russell Fox (Music Video - USA)
Come to Us - 3 Min Edward Martin Iii (USA)
A Mere Et Marees - 19 Min Alain Fournier (Canada)
Allure - 11 Min Ian Hunter (USA)
Casting Call of Cthulhu - 9 Min Joseph Nanni (Canada)
The Book Dealers - 8 Min Andrew Jones (USA)
H.P. Lovecraft's The Book - 11 Min James Raynor (UK)
Langliena - 7 Min Emiliano Ranzani (Italy)
Morella - 10 Min Jeff Ferrell (USA)
AM 1200 - 40 Min David Prior (USA)

April 2, 7pm - Shorts Programme # 3: F#*%ed Up People Doing F#*%ed Up Things

Excision - 18 Min Richard Bates (USA)
Red Hours - 10 Min John Fallon (Canada)
Sandik - 6 Min Can Evrenol (Turkey)
First Kill - 16 Min Micah Ranum (USA)
Consumption - 30 Min Richard Powell (Canada)
This is the Story of Ted and Alice - 16 Min Teressa Tunney (USA)
Snip - 11 Min Julien Zenier (Spain)

All sessions are rated R 18+

Ticket Prices:
$15 / $11 concessions

Bookings on: 9550 5699
Dendy Cinema, 261-263 King Street, Newtown

Source: A Night Of Horror International Film Festival


Addendum - The Australian Horror Writers Association would like to congratulate AHWA member Kyla Ward on the world premiere screening of her comedic short horror film Bad Reception, screening at A Night Of Horror on March 28. Knock 'em dead, Kyla!

News: A Night of Horror presents: Reel Zombies

When the dead rise, the cameras roll.

Independent zombie filmmakers, (real-life) Producer Mike Masters and Director David J. Francis, the team behind the commercially unsuccessful ZOMBIE NIGHT 1 and 2, set about to complete their trilogy, only this time, using the real zombies that have taken over much of the world.

With a full crew and a documentarian following them all the way, Masters and Francis embark on the production of their masterpiece only to discover that shooting in a post-apocalyptic world offers even more challenges than they faced on the first two films.


REEL ZOMBIES is a hilarious thrill-ride and the most original zombie film of the decade.

Followed by a Q&A with Mike Masters the co-director/producer and star of REEL ZOMBIES.

A FREE DRINK ON ARRIVAL courtesy of HOWLING WOLVES WINES! PLUS horror DVD giveaways on the night courtesy of ANCHOR BAY and their amazing new horror film END OF THE LINE!

Presented in association with POSSIBLE WORLDS CANADIAN FILM FESTIVAL.


28 March 2009, 9pm - Rated R 18+

Reel Zombies - 97 Min (Canada) Directors: Michael Masters & David Francis 2008
(Sydney Premiere)
Accompanied by the short film:
Kickstart My Gandhi - 10 Min Shane K (AU)

Tickets $15 / $11 concession

Dendy Cinema Newtown
261-263 King St, Newtown
Sydney NSW, Australia

Phone (02) 9550 5699 for bookings.

Source: A Night Of Horror International Film Festival

News: A Night Of Horror presents: Finale

A Night Of Horror International Film Festival proudly present the world premiere of John Elfers shoe-string budget feature Finale. Mystery, horror and suspense are captured in the visual style of the 1970's colorful Italian gialli.

A family descends into a vortex of denial and paranoia after the death of the oldest son. Though labeled a suicide, the bizarre circumstances lead the mother, Helen (Carolyn von Hauck), to believe there are darker forces at work. Black paint was thrown over everything reflective in the son's decrepit Victorian house, an explosive trap set in his bedroom and a woman from his past haunts the cemetery where he lies buried. But when Helen's investigation threatens to ruin the life of her teenage daughter, Kate (Suthi Picotte), and possibly her own sanity, she realizes there is but one escape from this nightmare world - the very route attempted by her dead son.


March 29, 7pm - Rated R 18+

FINALE - 94 min (USA) director: John Elfers 2009
(World Premiere)
Accompanied by the short films:
Shapes - 5 MIN Alan Brennan (IRELAND)
Still Life - 9 min Daniel McKleinfeld (USA)

Tickets $15 / $11 concession

Dendy Cinema Newtown
261-263 King St, Newtown
Sydney NSW, Australia

Phone (02) 9550 5699 for bookings.

Source: A Night Of Horror International Film Festival

News: A Night Of Horror @ Club 77

Join A Night Of Horror at Sydney's notorious Club 77 for horror themed music videos and the horror party to end all parties!

Also screening the feature film:
  • Burn Paris Burn - 71 Min (France) Director: Laurent Sebelin 2009

Accompanied by the short films:
  • Anyone There? - 10 Min Holger Frick (Germany)
  • Kagimiko - 13 Min Mathieu Arsenault (Canada)
  • The Flies - 5 Min Josh Collier (UK)
  • Stygian Horizon - 5 Min Evan Chan (Canada)

With horror themed music videos:
  • More Control - 6 Min Steve Daniels (USA)
  • The Beauty - 4 Min Luca Vecchi (Italy)
  • Hunt - 2 Min Yohei Ito (Japan)
  • Francois Martin By The Tenth Stage - 4 Min John Von Ahlen (AU)
  • The Man Who Made Monsters - 6 Min Onethirtyeight (UK)
  • Haunted By The Thought Of You - 6 Min Terran Schackor (USA)
  • Karaoke Show - 5 Min Karl Tebbe (Germany)
  • Crystal - 4 Min Jason Lapeyre (Canada)

*Drink On Arrival*

March 29, 9pm - Rated R 18+
A Night Of Horror @ Club 77 (Club 77, Kings Cross)
77 William St, Kings Cross Sydney
No bookings - tickets $15 on the door.

Source: A Night Of Horror International Film Festival

News: A Night Of Horror Presents: Plague Town

Rosemary is not like other children…
In a remote village, a shocking secret lives on with each and every baby born. It is said that all children are creatures of God…except here. Now for a group of lost tourists, every conception of ‘family’ will soon be sliced to pieces. And for a doomed few, the ultimate terror is about to hit home.

Get ready to experience the graphic shocker from director/co-writer David Gregory that DVD Savant hails as “a bloody onslaught…PLAGUE TOWN knows which buttons to push to extract the maximum in squeamish delirium!” Fangoria calls it “A boundary-pushing, taboo-breaking experience.” AV Maniacs says it “embodies the spirit and atmosphere of the great horror films of the ‘70s.”

March 30, 7pm - Rated R 18+

Plague Town - 85 Min (USA) Director: David Gregory 2008
(Australian Premiere)
Accompanied by the short film:
Una Storia Di Lupi (A Wolf's Tale) - 27 Min Cristiano Donzelli (Italy)


Tickets $15 / $11 concession

Dendy Cinema Newtown
261-263 King St, Newtown
Sydney NSW, Australia

Phone (02) 9550 5699 for bookings.

Source: A Night Of Horror International Film Festival

News: A Night Of Horror presents: Linkeroever (Left Bank)

A Night Of Horror presents Belgian horror gem Linkeroever (Left Bank), directed by Pieter Van Hees.

Marie, a lonely introverted young woman, has dedicated her life to the pursuit of athletic excellence. When she suddenly collapses due to an infection in her immune system, she is forced to rest. Now she starts realizing there are a lot of things she misses in her life. Thus she very much welcomes the attention she gets from Bobby, a handsome archer she recently met and with whom she feels a strong connection. Marie decides to temporarily move in with him in his flat on Left Bank (part of Antwerp) Their passionate relationship offers her a lot of comfort. Bobby has a strong rock&roll attitude and a zest for life. They are very happy together. That is until Marie discovers that the previous tenant of the flat, Hella, has mysteriously disappeared. She becomes obsessed with Hella’s disappearance.

When Marie begins to suffer from headaches, nausea and insomnia, she starts believing that the place they live has a bad influence on her body. Her obsessions create a distance between them, Bobby believes she is just imagining things. Now Marie feels lonelier than ever. She begins to doubt whether she can really trust Bobby. Life in Left Bank, once envisaged as a dream town, becomes an alienating nightmare. Left Bank is an original and emotionally true thriller about a driven, confused girl who, in her journey to womanhood, gradually starts alienating from the place she lives, the man she loves and the body that fails her. Welcome to Left Bank.


March 31, 7pm - Rated R 18+

Left Bank (Linkeroever) - 102 Min Pieter Van Hees (Belgium) 2008
(Australian Premiere)
Accompanied by the short film:
Shadows - 14 Min Michael Jonathan (NZ)


Tickets $15 / $11 concession

Dendy Cinema Newtown
261-263 King St, Newtown
Sydney NSW, Australia

Phone (02) 9550 5699 for bookings.

Source: A Night Of Horror International Film Festival

News: A Night Of Horror Presents: The Dead Outside

A Night Of Horror International Film Festival presents Scottish horror/thriller feature The Dead Outside, directed by Kerry Anne Mullaney.

Following the outbreak of a terrifying, brain-disease inducing virus, a botched anti-viral program designed to stop mass panic turned millions into carriers, leading to a catastrophic collapse of the population. The dying victims wander desperate, confused, violent, or scared; always in the dark… until now.

With the cause of the outbreak and the fate of the wider world largely unknown to him, Daniel, a man desperate and recently bereaved, finds refuge in a crudely fortified but once-working farm in the Scottish countryside. In the face of evidence of recent life, and recent killings in the form of a mass grave, something is not quite right with Braehead Farm.

Unexpected company arrives in the form of a mysterious young girl, who claims the farm as her own. As Daniel struggles to come to terms with his new life, and keep a grip on his own fragile sanity, the mysteries surrounding the farm and its young inhabitant are revealed to run far deeper than he first thought. In a desperate world, true evil lurks in the most unexpected of places.

April 1, 7pm - Rated R 18+

The Dead Outside - 89 Min (UK) Dir: Kerry Anne Mullaney 2008
(Australian Premiere)
Accompanied by the short films:
H5N1, Le Jour De La Pandemie - 8 Min Jean Olivier (France)
Gasoline Blood - 9 Min David Pope (UK)
A Break in the Monotony - 4 Min Damien Slevin (Australia)

Tickets $15 / $11 concession

Dendy Cinema Newtown
261-263 King St, Newtown
Sydney NSW, Australia

Phone (02) 9550 5699 for bookings.

Source: A Night Of Horror International Film Festival

News: A Night of Horror presents: No Morire Sola (I'll Never Die Alone)

Stand on your feet, or die on your knees.

NO MORIRE SOLA is probably the most shocking film you will see this year, reminiscent of such exploitation classics as I SPIT ON YOUR GRAVE, THEY CALL HER ONE EYE, THE BRIDE WORE BLACK, and THE LAST HOUSE ON THE LEFT.

The film follows the traumatic journey of four female University students who travel back to their family home in the remote outback of the La Plata region, Argentina.

On the road they witness a violent crime perpetrated by local thugs. They are captured, hideously violated and some are shot dead…

The surviving women, out of sheer determination for revenge, mercilessly pursue their attackers to the bitter end.


If you are offended by scenes of strong violence and brutality, you had better sit this one out...

Tickets $15 / $11 concession

PLUS Trivia with DVD and horror magazine giveaways on the night!

2 April, 9pm - Rated R 18+

I'll Never Die Alone (No Morire Sola) - 86 Min (Argentina) Director: Adrian Garcia Bogliano 2008
(Australian Premiere)
Accompanied by the short films:
Linda Lorna: The Red Door - 16 Min Jason Bognacki (USA)
Fetal - 4 Min Tony Falcon (USA)

Dendy Cinema Newtown
261-263 King Street Newtown
Sydney NSW, Australia

Phone (02) 9550 5699 for more information.

Source: A Night Of Horror International Film Festival


News: A Night of Horror Closing Night

A Night Of Horror International Film Festival comes to a close with the Australian premiere of Splinter - screening to be followed by the A Night Of Horror Awards Ceremony and after party!

A young couple has retreated to the wilderness for a romantic camping weekend – but the trip quickly spirals into a nightmare when they are car-jacked by an escaped convict and his girlfriend. Thrown together by chance, no one can imagine the terrifying horror that awaits the two couples at the remote and isolated gas station.


Fantastically paced, with smart, motivated characters, and plenty of cool scares and gore, Toby Wilkins' SPLINTER is the best monster flick we've seen in years. So, we're not at all surprised that the film recently won almost every major award at Screamfest (The USA's biggest horror film festival) including: BEST FILM, BEST DIRECTOR, BEST SPECIAL EFFECTS, BEST MAKE-UP, BEST EDITING, & BEST SCORE).

This is one horror film that you do not want to miss!

DREAD CENTRAL says, "Splinter is garnering quite the buzz and with good reason -- it kicks ass!"

Tickets $20 / Concession $15 - includes FREE DRINK on arrival courtesy of HOWLING WOLVES WINES, and admission to the awards ceremony and after party.

3 April, 7pm - with party and awards to midnight! Rated R 18+

Dendy Cinema Newtown
261-263 King Street Newtown
Sydney NSW, Australia

Phone (02) 9550 5699 for more information.

Source: A Night Of Horror International Film Festival

Friday, March 20, 2009

Review: RealmShift by Alan Baxter

RealmShift

Self published in 2006 by Alan Baxter (AHWA Member and all around nice guy) and rereleased in 2008 by Blade Red Press
ISBN-13: 978-0980578201


On starting to read this offering I was filled with dread as deus-ex machina seemed ingrained. In a modern day setting, gods, devils, and characters with superhuman powers were everywhere, with our protagonist, Isiah, chief among them.

A 400 year old tool of a vaguely described entity called “The Balance”, Isiah struggles to maintain the status quo between gods and other supreme creatures of power.

The status quo between gods not so much the good and evil bit. The lines are continually blurred as Isiah struggles to keep a loosely preordained plan on track and save a minor deity from extinction because the loss of this one god of an Amazonian rain forest tribe would result in collateral damage of apocalyptic proportions. If a butterfly flaps it wings in Brazil…

But human nature rides roughshod over the development of Isiah as a character, making him a little more good than evil. He has an innate niceness about him which allows the forces of good, like the angel Gabriel, to side with him occasionally, even cultivate a friendship with him. When thinking of the champion for Balance I would consider someone who is a true neutral would be required, but Isiah is thankfully not. He is a flawed character who retains his humanity and really only wants out of his current vocation and a chance to find some peace – this makes him easy to identify and empathise with – once you get past all his amazing abilities.

Alan Baxter has a unique style to his prose which I found annoying at first. It seemed he has a physical aversion to joining sentences together with little words like ‘and’, preferring instead to just use a comma. This gives many sentences a disjointed quality and jars the reader out of the story. If the intention was to create pace and immediacy, it failed in my opinion. Strangely this trait seems to die out as you progress through the book so as you rush toward the end it makes less of an appearance which adds to the overall pace and a feeling of a better produced book.

However, the story is solid and carries the reader through the sprawling urban jungle to the heat and oppression of the Guatemalan jungle, home of the ancient Maya. We follow Isiah as he tries to nudge events back into alignment by escorting a nasty piece of work by the name of Samuel from seedy backstreets to an archaeological dig site to kill a man, and save a girl, who would ultimately save a race of people, and therefore a god.

For you see, in Baxter's world, people create gods. Both the good ones and the evil ones, for belief is the basis of divinity. If people truly believe, then their god, or devil, or other supreme creature, comes into being. The more people who believe, the stronger the entity. Isiah works for the force in between, “The Balance”, which ensures one side of the eternal struggle never becomes stronger than the other. There are plot convolutions a plenty and occasionally it gets a little murky, but it does all make perfect sense in the end.

Add a small cast of characters who are swept up in the events triggered by Samuel’s attempts to get out of a deal he made with Satan. Katherine Bailey is a journalist for an eco-friendly magazine: in love with her boyfriend, overworked, and has a strong desire to help preserve native cultures, but she is one of the very few individuals on the planet who doesn’t believe in anything beyond her existence. Carlos Villalopez is a truly evil individual with no conscience. A mercenary living in the jungles of Guatemala, he is another who doesn’t believe. This causes a problem. With no belief, then they have no god to nudge them back on the right track and keep things as they should be. Individuals like this are the jokers in the pack of life; wild cards who keep Isiah’s life interesting.

When Carlos sets out on a mission of revenge, his path becomes entwined with Samuel and Katherine’s, until Samuel decides to break his deal. Enter “The Balance’ and Isiah in an attempt to get things back on track.

Nearly all the characters in the story have abilities above those of mortal man, but when you’re travelling between Limbo and Hell, I guess one should expect this. Our main character deals with Satan, Gabriel, vampires, dragons, and ‘The Balance’, among other things, so extra powers are a requirement. But the mortals are a little different as well. The the villain, Carlos, is a walking death machine, the best at what he does, Samuel is a growing psychic power in his own right, and even the journalist has hyper-sensitive capabilities, which all leads to a slight sense of unbelievability. But then, when something momentous is about to happen, you'd expect to see the cream rise to the top - wouldn't you?

Another minor gripe I had was with “The Balance” – Apart from a theory offered by Isiah toward the end of the book, it remains somewhat ‘just there’; a convenient tool to fill in a plot hole. While the existence of everything else is explained, the Balance is not. It also shouts – ALL THE TIME. I think Baxter may have been going for an all encompassing voice, something which surrounded Isiah completely whenever it communicated with him, but this could have been expressed through descriptive narrative rather than type every response in CAPITALS.

Finally the ending was a little bit of a let down. The lead up to it is brilliant, with extreme care taken to build tension and getting the reader to start second guessing what is about to come. The imagery is excellent as are the descriptive passages. It is fast and action-packed, but it plateaus a little on the climax and the after affects, particularly the reactions of the mortal characters, is very disappointing.

So, in the end, I found RealmShift to be a good story based on an interesting premise, but I think it would have benefited from going through a more vigorous editorial process to iron out the prose, remove some of the little annoying bits, and give it a more kick ass ending. Still, it is definitely worth the time spent reading it as Baxter manages to work with an intriguing list of characters, throws a thought provoking explanation of religion at the reader, and keeps everything moving at a rapid pace, while making some nice observations about today’s society and those within it. I look forward to reading the second instalment, MageSign, to see where the authors goes from here.

Wednesday, March 18, 2009

Competition: Nameless #18 - Cameron Rogers

A few weeks ago:

"How badly do you want to live?"

Leah could feel his hot breath on her neck, rancid with the stench of onions and sour milk. His voice was an oozing thing, bubbling up from the putrescent depths of his innards. Every now and then he let out a shrill giggle, and she felt his body twitching behind her as blasts of air chuffed against her crawling skin.

"I don't know," she had replied, knowing it was not the answer he had anticipated. She was only twenty-three. She hadn't been anywhere, seen anything, done anything.

He had said nothing for a moment, and she had known he was weighing his words.

"We could make a lot of money," Siekan whispered. "A lot of rich people can't have kids."

-

"Leah! Don't!"

-

The baby stopped waving his arms...and stopped breathing.

"What have you done?" the mother screamed. She was clean. Her clothes were clean, new and light. She washed her hair every day and watched what she ate. She had a job. She was only twenty-three.

Leah screamed.

-

"He doesn't love you! Lord Jesus, help me save my baby girl."

-

She was only twelve. Clive had been living with them for a couple of years, and now he was leaving. She had come out into the TV room, wiping a knuckle across one sleepy eye and carrying her book of stories. She wanted Clive to read to her.

"Marry you?" He punched one arm into the sleeve of the thick, flannel coat he wore to work. "White trash? Ha. Marry you I'd never live it down. Find me a real wife someday. But not you, Caroline. No white trash wife for me."

Even at twelve, Leah knew he was right. This is what they were, and this is what they would always be. Nothing important, nothing anyone wanted. Just trash.

But she wanted to live.

And a lot of rich people can't have kids.

-

"Not like this, baby. Not like this. This isn't the way..."

-

Fifteen when she first said yes. Used to be drugs made you high, the man had said. Nowdays they special. Nowdays they make you feel alive.

How bad, he had asked, you wanna live?

Leah skirted around the girl, wanting to pity her but finding that any hope she'd been given was too fragile to allow for compassion. Dead eyes glared up at her. She frowned and looked away, but not quickly enough to avoid seeing the nasty, deliberate, rictus grin that twisted itself over the junkie's lips.

:How much life can you give me?:

Her rhythms broke, shuddering into discordance.

"Leave me alone!" she snarled.

Something moved in her belly. It kicked against her. Afraid, she clutched at her suddenly bulging gut. The Junkie's Stone, the unliving thing inside her, was no longer unliving.

She was just fifteen. She was twenty-three.

She slipped to the ground and cried.

-

"Oh baby ... no, Leah, it's gonna be all right. You'll see. Jesus forgives."

-

She had been twenty-two when she finally, accidentally, fell pregnant to a man whose name she couldn't remember. Hadn't realised until after she'd been with Siekan for a week, and hadn't told him at all for two months.

It had taken Siekan five months to convince her to see the Doctor: long-faced, long-fingered. What convinced her in the end was what Siekan had said to her at the beginning:

"How badly do you want to live?"

Have a baby, your life's over.

The Doctor had told her how much money someone pays for a healthy white child. Told her to think about it, about what that money could buy for herself, for her mother.

Even at twelve, Leah knew he was right. This is what they were, and this is what they would always be.

The money could change that.

The room came into focus. It was dark, cold and dusty. A thin army blanket tangled across her, one bare foot dangling just above the concrete floor. A camp lantern burned on the banana crate by the cot on which she lay. Her books were there. Her favourites: Gaiman and Donaldson, Neverwhere and Thomas Covenant.

"All will be explained, if you take the next step with me."

"To where?"

"To the Dream Dens."

"Who are you?! What are you?!"

In a casual voice he replied. "We are the Sorien. Dream wranglers in the employ of The Night Brethren."


She screwed her eyes shut, said "God." She was drug-cold, like a thick layer of gelid water lay sandwiched between the inner and outermost layers of her skin. Her gut burned. Whimpering, tears pooling in her eyes, coursing down her cheeks, her hands travelled the length of her chest, her stomach, the unfamiliar flat of it, and found the livid, crescent line of fresh stitches there.

She remembered the Doctor's voice, half-heard, half-remembered, from sleep:

"I told you that you'd do something for me before the end. And so you have. You've birthed me in again. Thank you, mother."

It was done. They had taken her baby.

And now they were gone.


(Cameron Rogers)






Saturday, March 14, 2009

Review: Contagious by Scott Sigler



Wow. That’s probably the only word I can use to sum my feelings after reading Scott Sigler’s latest novel, ‘Contagious’ (Hodder & Stoughton, 2009). To put it simply, this book is now creeping into the corner of my bookshelf system, heading for a place amongst my favourites.

‘Contagious’ continues from Sigler’s ‘Infected’, and although it is wise to have read the first instalment, it is not at all necessary. From the first page, you are thrown in to the situation in the same way the first character is – the President of the United States, serving his first term and finding out a hell of a lot of secrets. Like blue triangular growths appearing on people’s skin, turning them into instant psychopaths.

Perry Dawsey, an ex-footballer and all-round tank, was one of those people. Yet he survived (in ‘Infected’), albeit in a spine-tingling way. Now he has a dormant part of the infection inside him, and can hear or feel people as they become infected too. He hunts them down. The government cleans up whilst trying to keep him on a leash. They need surviving specimens to find out how to stop the triangular growths, which eventually rip out of the humans as triangular crawlers, which then try to converge and form a portal that opens a world we aren’t meant to know about (literally). And just as the government seems to be winning, the ‘being’ that creates the crawlers changes the genetics of the next batch it releases. Rather than just becoming infected by a falling spore from the ‘being’, special infected people can now spread the disease (yes, hence the title). They can infect everyone, including the government, and are led by a seven year old girl who thinks the crawlers are dollies and calls Dawsey the bogeyman (this reminded me of Matheson’s ‘I Am Legend’). Only a handful of people, including Dawsey, have the knowledge and time to stop them, if they can sort out all of their differences.

The pace of this novel is equivalent to Japan’s bullet train (to do away with the old ‘like a freight train’ analogy). Seriously, the chapters (all with clever names) make the ones in ‘The DaVinci Code’ or a James Patterson novel look long – the story simply snaps from one character to another as more and more people become infected. That of course helps to boost the thriller element of the novel – you just want to read one more chapter, one more chapter, before putting the book down for the night (if you put it down at all). The story crosses many genres though. You have sci-fi elements, with the invasion-like arrangement of the infected (many will compare it to, say, ‘The Body Snatchers’, but I couldn’t help compare the crawlers to something out of ‘Starship Troopers’. I’m lame, I know). Then you have a great deal of horror, in that those who are infected kill without mercy – a very disturbing (yet wonderful) scene was when an infected woman ripped the skin of her hand off just to slide out of handcuffs and attack her captors; and Perry Dawsey, whilst helping to kill the infected, is also a great big psychotic liability. The body count in this is simply off the charts.

I was delighted to hear that Rogue Pictures have bought the film rights to this novel and its predecessor (‘Infected’), because it’s easy to see its potential as a movie. Not because it is some lame action / CGI-filled gore-fest, but because it has believable characters in a tense environment. This novel had just the right amount of detail to allow it to become a cinematic adventure in my mind. The plot never bends too far beyond the absurd – just when one group (the government or the infected) gets a break, something happens to ground them in reality. My favourite is biologist Margaret Montoya’s desperate race to find a cure for the infected. Every time she gets close, well… something happens.

For every piece of action there is an incredible depth of research to back it up, or a shift in the story that emulates Michael Crichton’s method of weaving scientific knowledge and techniques into tense situations. This is what made it so enjoyable for me. I just had to get to the wonderful, appropriate, f**k you ending (Sigler is very guarded on his twist ending – if that’s too much Sigler, let me know).

This will be the first novel I recommend whole-heartedly this year. Pick it up now, and become infected…

Friday, March 13, 2009

Book Review: Blood Lite

Ed. Kevin J. Anderson, 2008, Simon & Schuster

One of the biggest problems facing authors of both humour and horror is that both genres are extremely subjective: every individual reader has their own, specific opinion on what constitutes funny or frightening, and if a piece of writing doesn’t tick the boxes for a given reader, then it’s a lost cause. By extension, putting together a complete anthology of either horror or humour is an extremely brave move on the part of the editor. And to anthologise a collection of humorous horror pieces...well, to put it extremely diplomatically, that’s a damn big gamble.

Fortunately, in the case of Blood Lite, it’s a gamble that definitely paid off: by which I mean, of course, that both the humour and the horror therein certainly hit my funny- and fright-bones.

Blood Lite comprises 21 works of short fiction by members of the US Horror Writers’ Association – including Jim Butcher, Sherrilyn Kenyon, D. L. Snell, and other well-known names – and is ably edited by Kevin J. Anderson. The humorous content runs from punning and over-the-top pastiche to sharp satire and some extremely black humour. On the horror side, we have vampires, werewolves and zombies, as well as homicidal slashers and demons, with the atmosphere of these stories ranging from completely jokey – merely poking fun at the conventions and tropes of horror – to completely chilling.
While I’ve never been a particular fan of the ‘light and slapstick’ horror tale, I was pleased to find that even the lightest of these pieces were enjoyable and entertaining, and most at least attempted to introduce an element of true horror. Some of the standouts in this category include Matt Venne’s ‘Elvis Presley and the Bloodsucker Blues’. Lucien Soulban’s ‘Hell in a Handbasket’, and Wil Ludiwgsen’s ‘A Good Psycho is Hard to Find’.
The real gems, though, were the tales that either ran chiefly with the horror element, and allowed the humour to develop organically from the resulting situations, or which started off humorous before descending into blackness. For example, Joe R. Lansdale’s ‘Mr. Bear’ – which was the highlight of this collection for me – is one of the most genuinely disturbing tales I’ve ever read, but which nonetheless made me laugh out loud due to the author’s deft use of dialogue, plotting and situational absurdity: it involves the nightmare journey (literally and figuratively) of an everyman who finds himself seated next to a strangely-familiar bear on a plane. And yes, you read that right. Others of this ilk include D. L. Snell’s ‘Love Seat Solitaire’, Nancy Holder’s ‘I Know Who You Ate Last Summer’, and ‘An Evening With Al Gore’ by Charlaine Harris.

In a nutshell, this is a very worthy anthology. Even if not every story makes you both laugh and scream, I can guarantee you’ll at least alternate between the two extremes from one story to the next.

Thursday, March 12, 2009

News: A Dark New World: Anatomy of Australian Horror Films

While the rest of the Australian film industry is languishing, horror movies are alive and thriving and reaping in the big bucks according to a Queensland University of Technology researcher.

Dr. Mark David Ryan has completed the first in-depth study into the re-emergence of horror films and the reasons why horror hungry fans can't get enough of our Aussie schlock.

Mark's thesis has been released online and can be downloaded from: http://eprints.qut.edu.au/18351/



Source: Dr. Mark David Ryan, Research Associate, Queensland University of Technology

News: Masques anthology launch

Canberra Speculative Fiction Guild (CSFG) Publishing would like to invite you to the launch of its eighth anthology Masques on 20th March 2009, from 5.00pm.

Special guest author Gary Hampson will unveil Masques at the National Archives of Australia on Queen Victoria Terrace.

Some authors and editors will be in attendance to sign copies of Masques. Please join us for an evening of food, wine and books.

Based in Canberra, the CSFG aims to assist science fiction, fantasy, horror writers and illustrators Australia-wide to develop their craft through critiquing, and sharing news and experiences. 30 authors from across Australia (and beyond) come together in Masques.

Jack Dann, multiple award-winning author, who has written and edited over seventy-five books including his international best seller The Memory Cathedral, says about Masques:

“Forget The Financial Review, The Sydney Morning Herald, The Age, The West Australian, The Canberra Times; forget all the bad news on the radio and television; forget the recession, depression, inflation, deflation, monetization, securitization, and the jobless rate. Forget all that because we are in the lucky country; and if you need proof (and perhaps also a bit of relaxation, ‘fantasization’, and exhilaration!), then start reading Masques, edited by Gillian Polack and Scott Hopkins. Here are our own home-grown fantasists…who will knock your argyle socks off.”


Masques Anthology Launch
20 March 2009, 5.00pm
National Archives of Australia
Queen Victoria Terrace, Canberra



Source: Gillian Polack
Masques Cover Art: Mik Bennett

News: Dastardly Criminal Cinema

CineCult are feeling a bit criminal at how long it has taken to get the details out for this month, so why not go with it and delve deep into the heart of strange crime! Breaking into the cinematic jailhouse, they offer these two jailbirds lurking in the darkness, forgotten and ignored. So here they are, paroled and ready to steal your attention!


Love is Colder Than Death
Dir: Rainer Werner Fassbinder. 1969. 88mins.

Love Is Colder Than Death is the debut feature from the truly astonishing auteur and one-man film industry Rainer Werner Fassbinder, a career spanning only thirteen years with 35 feature films and two television series. It’s only now, more than 25 years after his untimely death, that critics and buffs alike are beginning to catch up with the dizzying breadth and extraordinary artistry of Fassbinder’s oeuvre. Starring Fassbinder himself, as well as regulars Ulli Lommel, Hanna Schygulla and Ingrid Caven, Love Is Colder Than Death is a fine, rarely seen example of the German wunderkind’s early fascination with the nouvelle vague, as well as a great starting point for an introduction into the work of one of last century’s finest, most prolific and sadly underrated film artists. A gangster film, of sorts, a comedy, a drama, a typically Fassbinder-like sex romp. Imagine if Godard, in a parallel universe, had somehow become the guardian of the Carry-On film franchise, and you might have some idea of Love Is Colder Than Death’s exceptional power.


Judex
Dir: Georges Franju. 1963. 94mins.

A masquerade ball attended by bird people; sexy slinking cat burglars creeping through the night; bumbling inspectors and carrier pigeons; and master plans that will keep you guessing! Judex, Georges Franju's (Eyes Without A Face) remake of Feuillade's epic serial, resurrects the surrealism and flamboyance of the French silent period, where criminals were the heroes and the plot would turn on a dime. Franju's remake was largely ignored at the time of it's release as audiences could not understand why an arthouse film maker was tackling costumed vigilantes and villains. After the recent spate of intelligent comic book films it is far easier to appreciate beauty of this black and white classic.

As usual it's $5 on the door for both movies. Feel free to come for one or both. The first film will kick off at about 7pm, the second film at approximately 8.45. There will be a 15 minute intermission between films.


CineCult@303
17 March 2009, 7:00pm
Bar 303, 303 High St, Northcote

Source: Tony Mcmahon

News: Chuck McKenzie's Deadwalkers

AHWA member Chuck McKenzie has launched his second "fictional blog" of serialized fiction, with the following statement:

Midway through 2008, as some of you will be aware, I completed a fictional six-month blog - entitled 'One Day at a Time' - which detailled one man's daily struggle to survive the zombie apocalypse. The reaction to that blog (posted on LiveJournal, and now shut down) was pleasingly favourable. So: I'm doing it all again.

Deadwalkers is a tale set quite a bit further into the future than most post-apocalyptic zombie fare, and one which - hopefully - throws a few new ingredients into the mix. But you'll have to read it to judge for yourselves. So please consider yourselves invited to visit, read, hopefully enjoy, and comment. A new chapter will go up weekly, and the prologue has already been posted.

Hey, it's free, so what have you got to lose?

Chuck McKenzie is an Australian speculative author with a reputation for humorous SF and - more recently - horror fiction. His output thus far includes sales of short fiction to Agog, Aurealis, Andromeda Spaceways Inflight Magazine, Borderlands, Daikaiju! Giant Monster Tales, and others. He's also produced a novel (Worlds Apart, Hybrid Publishers, 1999) and a collection (Confessions of a Pod Person, MirrorDanse Books, 2005), and have been nominated several times for both the Aurealis and Ditmar awards. Chuck's last major work was a serialised online novel, One Day at a Time: Life, the Zombie Apocalypse, and All That (LiveJournal, 2008), which he's hoping to have picked up as a print publication soon.


Source: Chuck McKenzie

Sunday, March 08, 2009

Review: Phantasy Moste Grotesk



A rusty stained scalpel, nestled on a bed of black velvet.

Corpulent Insanity Press brings us Felicity Dowker's most significant publication to date in the form of a signed and numbered print run of 26 copies of a novelette entitled Phantasy Moste Grotesk.

It opens nicely with the traditional knock at the door by night. Instead of an expected pizza delivery, a black eyed boy stands there, wanting in.

Thus, the lid is lifted on this macabre pizza that the author has created for us. To a hiss that sounds like 'Seth' (now doesn't that seem like a word that a scalpel would whisper, if a scalpel could speak?) we take in the smell of this concoction, the scents of circus; popcorn, fairy floss, sawdust... and blood. Our eyes widen at sight of the glimpsed ingredients baked into the base. And even as we stare, eager to partake, we start to pay, the curl of our hair, the shine in our eyes, the softness of our skin, is taken...

The writer has used several figures from myth and legend and added them to her own recipe.

Therein you'll go with our two protagonists, Josh and Erin, to the Long Chat Place, a mundane location of sweet reminiscence, where, of course, the extramundane awaits. There you will enter a circus tent with this couple, 'Salioso's House of Monsters, Moste Grotesk and Phantastique', a place of otherworldly sacredness, Lair of the Hidebehind, The pitiful Ferris, and lascivious Doppelgangers. Yes, circus tent attractions are such fun, and one of the old standards in the fantasist's prop options and settings. Dowker here parts the canvas for us on an interesting addition to the canon.

A professional grade story, I'd expect to see this in the Year's Best listings. It certainly warrants more than 26 copies, though CIP have a solid, steady strategy there. I suspect more printings will be required.

'The moon was a pale, bloated corpse, drifting above them in the fetid waters of the starless sky. A heavy breeze soughed through the twisted branches of the guardian trees and gusted about the open field, bringing with it the stench of something spoiled and oozing.'

Here's a writer not listening to voices that discourage metaphor. A writer not afraid to try the occasional Neo Gothic approach.

'Nothing could be ugly tonight. Not with Erin by his side, here in this sacred and mundane place. The Big Feelings nibbled on the insides of his mind, whispering to be let out, but he repressed them, too.'

That's a key to this writer's take on matters. The exposure of things startlingly otherworldly and sacred in the most mundane of locations. The uncanny manifests itself and the rest is directed by how the human aspect interacts with the unearthly. Like much of the best horror fiction, her stories are not negligent in their humanity, her characters deal with the Big Feelings.

No story is perfect. Negatives? Only one here. Endings are often where writers can stumble, amateurs, semi-pros and fully fledged professionals. This writer has not stumbled, but she has had to adjust her grip on that ink and blood drenched implement at the end and, in doing so, the smooth, terrible stroke of the narrative has wavered just a touch. In the next tune up I would like the ending reworked from page 37 (of 39 pages). Less words and less blood to obscure the tragedy.

But this is a minor aspect, and, if you like gore with your tragedy or vice versa, Felicity Dowker delivers here.

Felicity Dowker is a wordsmith who explores both sides of the page. She has made her own hole there and through it she brings us dark gifts. She will, I'll wager, do so for a long, long time to come.


(This book was reviewed in PDF format. Therefore I could not comment on most of the physical aspects of the publication itself. The cover heading this review is not the one that will appear upon the chapbook when it is released.)

Stephen Studach