HorrorScope: The Australian Dark Fiction Blog has now closed.
The HorrorScope team would like to thank every publisher and author who provided review material to the site and the promoters who supplied all the cool prizes we have given away. The team would especially like to thank HorrorScope's loyal readers, who have shared the journey with us over the past six years.
HorrorScope's publishers, Brimstone Press, would sincerely like to thank the dedicated, hard-working HorrorScope staffers, who have spent countless hours posting more than 2,100 reviews, interviews, and news items since 2005. Thank you for making HorrorScope the informative and fascinating blog it has been.
- The HorrorScope Team and Brimstone Press.
Tuesday, May 17, 2011
Saturday, May 14, 2011
Review: Torment
Torment
by Greg Chapman
Publisher: Damnation Books
ebookISBN: 9781615723416
Reviewed by Matthew Tait
Greg Chapman is one of those breed to have made good use of services provided to emerging Australian horror writers. After joining the local association in 2009 he was selected very quickly into the mentoring program under the auspices of author Brett McBean. (Anyone familiar with my reviews lately will know this to be quite a coup). What is apparent to blossom out of such a relationship is Greg’s obvious love and genuine fondness for the genre - the act of writing and finding an audience for his work is not something recently acquired or new. And this is a good thing. Something the publishers also saw on display.
by Greg Chapman
Publisher: Damnation Books
ebookISBN: 9781615723416
Reviewed by Matthew Tait
Greg Chapman is one of those breed to have made good use of services provided to emerging Australian horror writers. After joining the local association in 2009 he was selected very quickly into the mentoring program under the auspices of author Brett McBean. (Anyone familiar with my reviews lately will know this to be quite a coup). What is apparent to blossom out of such a relationship is Greg’s obvious love and genuine fondness for the genre - the act of writing and finding an audience for his work is not something recently acquired or new. And this is a good thing. Something the publishers also saw on display.
One thing that I feel is important to mention here: reading Torment was one of my first experiences with the device known as the Kindle. After a life time of musing on cover illustrations and dipping my nose into paper pages for that unique aroma, these quirks were no longer available to me. But this is not the place for an active discussion on the disparity between the two. Merely that I was initially apprehensive about a potentially great book by an Australian being let down by a new medium and a follow up review that would be much impoverished. Thankfully this is not the case: the device was more than adequate to the task and there was nothing about Torment I felt lacking.
Torment as a novella is a tried and true formula: after a childhood incident sees her mother perish at the hands of clergyman father Douglass during a ritual exorcism, Jessica McKinnon returns home to rural Scotland years later as an adult with husband David and son Alex in tow to exorcise some demons of her own – namely, to find out the reason her father killed himself and subsequently bequeathed the house to her. But ‘tried and true’ is a recipe that works – and we’ve seen those writers at the top (a good model would be John Saul) try it dozens of times: After being witness to an act of horrific debauchery as a child, our protagonist returns to the house on haunted hill to confront ghosts of the past. Readers will have something to identify with, and for a debut author who is genuine unknown, this is a definite hook.
There are problems associated with it, but nearly all of these run the gamut of what the plot means to this reviewer on a personal level. The age of ‘biblical baddies’ (as I’ve previously referred to them), traversing the earth and wreaking havoc now seem as irrelevant to horror fiction as they do in real life. At times the syntax can be somewhat plain (but not unexpected in a debut), and having characters exclaim dialogue instead of simply stating ‘said’ is another pet-peeve that can push a reader rudely out of their chair. But don’t let any of these things steer you away or deter you (there are no doubt more than enough avid fans of The Exorcist and tales of possession still haunting the bookstores) - and simply enjoy it for what it is: as a more than entertaining yarn from an Australian author with grand potential and many more tales to come.
Both print and digital copies can be ordered from Damnation books
Monday, May 09, 2011
Movie review: Snowtown (2011)
Directed by Justin KurzelStarring Lucas Pittaway, Daniel Henshall
Reviewed by Tony Owens
Jamie Vlassakis lives with his mum and two brothers in one of Adelaide's northern suburbs. His mother's new boyfriend, John Bunting, looks to be a stabilising influence on the family and especially on Jamie. A father figure to look up to and respect perhaps. He is a charismatic man and soon endears himself to the boys. It quickly becomes apparent though that Bunting is not a man to be messed with. He has an intense hatred of homosexuals, paedophiles, drug use and obesity. Gradually Jamie is drawn into a world of torture, murder and social security fraud.
Snowtown is based partly on Debi Marshall's book Killing for Pleasure, which delved into the famous 'bodies-in-barrels' murders in the late 1990s. These crimes have become a kind of shorthand with which to paint Adelaide as the weird murder capital of Australia. The book was a disturbing, yet thorough investigation into the crimes themselves, the police investigation and possible motivations of the killers. The film focuses on the toxic relationship between Bunting and Vlassakis and shows a damning picture of a permanent underclass besieged by unemployment, broken families, welfare dependency and child abuse.
The two leads, Lucas Pittaway as Jamie and Daniel Henshall as John, are both excellent in their roles. The supporting cast is remarkable being made up of a mixture of professionals and locals with no acting experience.
It's a difficult film to watch and at the preview screening I attended there were a few walkouts. While the film does include several intense scenes of violence, it is quite restrained when one considers the extent of the crimes that were actually committed. This may pose a dilemma for the producers in that it may struggle to find an audience. It could be too restrained and slow for a more mainstream audience looking for thrills and high body counts. On the other hand, it may prove too brutal for more refined tastes. It'll be interesting to see what kind of business it does.
The other vexing question is does this constitute exploitation? I don't think so. It's a serious attempt to show how a society that leaves people behind may end up creating monsters like John Bunting. I recommend it highly. But be warned, it is confronting.
Snowtown opens in Australian cinemas on May 19.
Labels:
movie review,
Snowtown
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Sunday, May 08, 2011
Review: The Eye of Infinity
The Eye of Infinity
by David Conyers
Publisher: Perilous Press
Date published: 2011
Reviewed by Shane Jiraiya Cummings
The Eye of Infinity is a standalone novella and the latest in a series of Cthulhu Mythos-style adventures featuring protagonist Major Harrison Peel. In the novella, Peel has retired from the Australian armed forces (following the catastrophic events in The Spiraling Worm) and now works as a consultant for the USA's National Security Agency (NSA). He struggles to balance his home life with long-term girlfriend Nicola and his duties as a 'spook' on the frontline protecting mankind from alien incursions.
But The Eye of Infinity is no Men in Black pastiche, with cute aliens to befriend and singular enemies to defeat. David Conyers dredges up all the dark creations of cosmic dread spawned from H. P. Lovecraft's imagination and gives them a modern twist. Men and women like Harrison, Nicola, and NSA agent Jack Dixon fight the almost futile fight to keep shoggoths and star spawn from our door, and unfortunately for them, their victories are always Pyrrhic.
Central to The Eye of Infinity is the concept of subjective reality. Can we believe what we see in the deep, dark reaches of space? To a less indoctrinated mind, the vast expanse of stars and galaxies could be celestial dragons or roiling, living chaos. In the multi-dimensional adventure of The Eye of Infinity, this is exactly how reality is portrayed. Knowing that reality hinges on the fragility of the human mind - and that the horrors experienced by protagonist Harrison Peel could be wrought by his own mind - is a terrifying concept. What if malevolent alien wills were shaping the human race into their own dark image ... and we were convinced this was in our best interest? This is the question posed by Conyers - and it is a compelling one.
David Conyers has grappled with the true, terrifying nature of evil in his previous Mythos stories - most notably, The Spiraling Worm, his collaboration with John Sunseri - but in The Eye of Infinity, he has succeeded in showing the reader just how insignificant humanity is in the grand scheme of the universe. At the same time, Conyers' hero Harrison Peel has to contend with rogue elements in his own (adopted) government, which when contrasted with the scale of the forces threatening to engulf humanity, highlights the petty nature of humanity.
Conyers' interpretation of the Outer God Azathoth is revolutionary. In keeping with Lovecraftian tradition, Conyers manages to evoke cosmic horror on a grand scale, and yet, he simultaneously applies scientific principles by describing the god in terms of quantum physics as a force above and beyond nature.
While not the rollicking adventure of The Spiraling Worm, The Eye of Infinity is a well-crafted tale of espionage and counter-terrorism (of the alien, reality-warping kind) that is permeated by a sense of loneliness. Peel struggles against the threat of unimaginable forces, and he can't even open up to his girlfriend or accept the happiness of a mundane life.
Although the relationship between Peel and Nicola is critical to the story and Peel's motivations, the dialogue and emotions expressed felt stilted in places. While Conyers excels at making impossible dread possible, he needs to flex his authorial muscles more when it comes to romance and the nuances of relationships. Much of the interaction was good, but there were a few discordant notes in the dialogue and characters' actions that portrayed them as somewhat wooden.
However, the sense of loneliness came through strongest when Peel was travelling the cyclopean wastes of other worlds. It was fantastic to see the development of Harrison Peel's human side. Over the course of The Spiraling Worm, Conyers gave Peel a compelling character arc from naive but tough military man to a dying martyr filled with regret. Miraculously cured of his fatal disease at the end of The Spiraling Worm, Peel has become a more three dimensional character in The Eye of Infinity. Peel's inner struggles with his life's direction, his doubts, and more importantly, his fears (based on previous near-death experiences with shoggoths and other creatures) are the threads upon which the plot hangs, and as such, Conyers has moved beyond Lovecraftian tropes to ascend to the highest - and most captivating - form of storytelling: creating a character that the reader will genuinely care about.
The other downside, perhaps because of the use of recurring characters: much of the protagonist's backstory is filled in with chunks of exposition. While necessary in parts, this bogged the story's pace down somewhat.
Niggles aside, The Eye of Infinity is the epitome of modern Cthulhu Mythos fiction: tough, probing characters facing unfathomable beings and making impossible decisions. It's round two in the biggest fight we'll ever face - humanity vs. cosmic horror - and this time, no one is going to escape unscathed. David Conyers is the reigning king of the Cthulhu Mythos Down Under. With Conyers at the helm, you won't be disappointed by your journey.
by David Conyers
Publisher: Perilous Press
Date published: 2011
Reviewed by Shane Jiraiya Cummings
The Eye of Infinity is a standalone novella and the latest in a series of Cthulhu Mythos-style adventures featuring protagonist Major Harrison Peel. In the novella, Peel has retired from the Australian armed forces (following the catastrophic events in The Spiraling Worm) and now works as a consultant for the USA's National Security Agency (NSA). He struggles to balance his home life with long-term girlfriend Nicola and his duties as a 'spook' on the frontline protecting mankind from alien incursions.
But The Eye of Infinity is no Men in Black pastiche, with cute aliens to befriend and singular enemies to defeat. David Conyers dredges up all the dark creations of cosmic dread spawned from H. P. Lovecraft's imagination and gives them a modern twist. Men and women like Harrison, Nicola, and NSA agent Jack Dixon fight the almost futile fight to keep shoggoths and star spawn from our door, and unfortunately for them, their victories are always Pyrrhic.
Central to The Eye of Infinity is the concept of subjective reality. Can we believe what we see in the deep, dark reaches of space? To a less indoctrinated mind, the vast expanse of stars and galaxies could be celestial dragons or roiling, living chaos. In the multi-dimensional adventure of The Eye of Infinity, this is exactly how reality is portrayed. Knowing that reality hinges on the fragility of the human mind - and that the horrors experienced by protagonist Harrison Peel could be wrought by his own mind - is a terrifying concept. What if malevolent alien wills were shaping the human race into their own dark image ... and we were convinced this was in our best interest? This is the question posed by Conyers - and it is a compelling one.
David Conyers has grappled with the true, terrifying nature of evil in his previous Mythos stories - most notably, The Spiraling Worm, his collaboration with John Sunseri - but in The Eye of Infinity, he has succeeded in showing the reader just how insignificant humanity is in the grand scheme of the universe. At the same time, Conyers' hero Harrison Peel has to contend with rogue elements in his own (adopted) government, which when contrasted with the scale of the forces threatening to engulf humanity, highlights the petty nature of humanity.
Conyers' interpretation of the Outer God Azathoth is revolutionary. In keeping with Lovecraftian tradition, Conyers manages to evoke cosmic horror on a grand scale, and yet, he simultaneously applies scientific principles by describing the god in terms of quantum physics as a force above and beyond nature.
While not the rollicking adventure of The Spiraling Worm, The Eye of Infinity is a well-crafted tale of espionage and counter-terrorism (of the alien, reality-warping kind) that is permeated by a sense of loneliness. Peel struggles against the threat of unimaginable forces, and he can't even open up to his girlfriend or accept the happiness of a mundane life.
Although the relationship between Peel and Nicola is critical to the story and Peel's motivations, the dialogue and emotions expressed felt stilted in places. While Conyers excels at making impossible dread possible, he needs to flex his authorial muscles more when it comes to romance and the nuances of relationships. Much of the interaction was good, but there were a few discordant notes in the dialogue and characters' actions that portrayed them as somewhat wooden.
However, the sense of loneliness came through strongest when Peel was travelling the cyclopean wastes of other worlds. It was fantastic to see the development of Harrison Peel's human side. Over the course of The Spiraling Worm, Conyers gave Peel a compelling character arc from naive but tough military man to a dying martyr filled with regret. Miraculously cured of his fatal disease at the end of The Spiraling Worm, Peel has become a more three dimensional character in The Eye of Infinity. Peel's inner struggles with his life's direction, his doubts, and more importantly, his fears (based on previous near-death experiences with shoggoths and other creatures) are the threads upon which the plot hangs, and as such, Conyers has moved beyond Lovecraftian tropes to ascend to the highest - and most captivating - form of storytelling: creating a character that the reader will genuinely care about.
The other downside, perhaps because of the use of recurring characters: much of the protagonist's backstory is filled in with chunks of exposition. While necessary in parts, this bogged the story's pace down somewhat.
Niggles aside, The Eye of Infinity is the epitome of modern Cthulhu Mythos fiction: tough, probing characters facing unfathomable beings and making impossible decisions. It's round two in the biggest fight we'll ever face - humanity vs. cosmic horror - and this time, no one is going to escape unscathed. David Conyers is the reigning king of the Cthulhu Mythos Down Under. With Conyers at the helm, you won't be disappointed by your journey.
Wednesday, May 04, 2011
News: International Zombie Awareness Month at Dymocks Southland
When: May 10 – 31, 2011
Where: Dymocks Southland, Shop 3067/8, Westfield Shopping Centre, Cheltenham, VIC, Australia 3192
Tel: 03 9584-1245
Dymocks Southland will be running its second annual International Zombie Awareness Month promotion during the month of May, with great deals on a huge range of zombie-related books, giveaways, prize draws, and even a ‘zombie shuffle’!
Deal #1: Purchase any three zombie-themed books or graphic novels (including paid pre-orders), and receive a FREE copy of David Moody’s Dog Blood (valued at $27.95) only while stocks last.
Deal #2: Purchase any four zombie books, receive a free copy of Dog Blood, and enter the draw to win a fantastic prize-pack, thanks to our friends at NecroScope (details below).
Plus...
• Sat 14th May: Join us for a group signing of exciting authors from LegumeMan Books – specialists in ‘extreme horror fiction’. Featuring Brett McBean, R. Frederick Hamilton, Andrew Gallacher, Matthew Revert and Steve Gerlach. 12 noon - 1pm.
• Sat 28th May: The Dymocks Southland ‘Zombie Jamboree’, featuring:
11am – 12 noon: Local horror authors - and winners of this year's Australian Shadows awards - Kirstyn McDermott (Madigan Mine) and Bob Franklin (Under Stones), signing copies of their books. Be afraid!
12 – 1pm: Bestselling novelist James Phelan will be signing copies of his YA zombie novel Alone #1: Chasers (and his adult thriller books!). Pre-order Alone #2: Survivor, and James will personalise your copy when it’s released on June 30th! PLUS you’ll go into the draw to win a personalised, one-off, bound manuscript of an Alone short story, AND have a character named after YOU in James’ upcoming, top-secret, thirteen–book series due from Scholastic in 2012! (Winner drawn upon release of Alone #2, and notified by phone).
1 – 2pm: Zombie Shuffle! Turn up to Dymocks Southland in full zombie costume for your chance to win a magnificent The Walking Dead prize-pack (details below), thanks to our friends at Madman Entertainment. Best costume wins, prizewinner announced 2pm.
Dymocks Southland: where zombies are just a way of life...
NecroScope prize pack comprises:
- Feed poster, autographed by Mira Grant
- Dead Earth: The Vengeance Road by David T. Wilbanks & Mark Justice
- Virus by Sarah Langan
- Nekropolis by Tim Waggoner
- After the World: Gravesend by Jason Fischer
- Zombie Flesh Eaters DVD
- The Zombie Diaries DVD
- Jelly Brains jelly mould (Mmm! Braiiiiiiiiins!)
- Genuine Vodou good-luck charm (disclaimer: not effective against genuine zombies)
(Winner drawn at close of business May 31st, and notified by phone).
The Walking Dead prize pack comprises:
- The Walking Dead baseball cap
- The Walking Dead tote bag
- Issue #1 of The Walking Dead: Days Gone Bye
- Madman Entertainment t-shirt
- Xombies: Apocalypse Blues by Walter Greatshell
- Generation Dead by Daniel Waters
- Dead Set DVD
- Grace DVD
- Biomega #1 manga comic
Where: Dymocks Southland, Shop 3067/8, Westfield Shopping Centre, Cheltenham, VIC, Australia 3192
Tel: 03 9584-1245
Dymocks Southland will be running its second annual International Zombie Awareness Month promotion during the month of May, with great deals on a huge range of zombie-related books, giveaways, prize draws, and even a ‘zombie shuffle’!
Deal #1: Purchase any three zombie-themed books or graphic novels (including paid pre-orders), and receive a FREE copy of David Moody’s Dog Blood (valued at $27.95) only while stocks last.
Deal #2: Purchase any four zombie books, receive a free copy of Dog Blood, and enter the draw to win a fantastic prize-pack, thanks to our friends at NecroScope (details below).
Plus...
• Sat 14th May: Join us for a group signing of exciting authors from LegumeMan Books – specialists in ‘extreme horror fiction’. Featuring Brett McBean, R. Frederick Hamilton, Andrew Gallacher, Matthew Revert and Steve Gerlach. 12 noon - 1pm.
• Sat 28th May: The Dymocks Southland ‘Zombie Jamboree’, featuring:
11am – 12 noon: Local horror authors - and winners of this year's Australian Shadows awards - Kirstyn McDermott (Madigan Mine) and Bob Franklin (Under Stones), signing copies of their books. Be afraid!
12 – 1pm: Bestselling novelist James Phelan will be signing copies of his YA zombie novel Alone #1: Chasers (and his adult thriller books!). Pre-order Alone #2: Survivor, and James will personalise your copy when it’s released on June 30th! PLUS you’ll go into the draw to win a personalised, one-off, bound manuscript of an Alone short story, AND have a character named after YOU in James’ upcoming, top-secret, thirteen–book series due from Scholastic in 2012! (Winner drawn upon release of Alone #2, and notified by phone).
1 – 2pm: Zombie Shuffle! Turn up to Dymocks Southland in full zombie costume for your chance to win a magnificent The Walking Dead prize-pack (details below), thanks to our friends at Madman Entertainment. Best costume wins, prizewinner announced 2pm.
Dymocks Southland: where zombies are just a way of life...
NecroScope prize pack comprises:
- Feed poster, autographed by Mira Grant
- Dead Earth: The Vengeance Road by David T. Wilbanks & Mark Justice
- Virus by Sarah Langan
- Nekropolis by Tim Waggoner
- After the World: Gravesend by Jason Fischer
- Zombie Flesh Eaters DVD
- The Zombie Diaries DVD
- Jelly Brains jelly mould (Mmm! Braiiiiiiiiins!)
- Genuine Vodou good-luck charm (disclaimer: not effective against genuine zombies)
(Winner drawn at close of business May 31st, and notified by phone).
The Walking Dead prize pack comprises:
- The Walking Dead baseball cap
- The Walking Dead tote bag
- Issue #1 of The Walking Dead: Days Gone Bye
- Madman Entertainment t-shirt
- Xombies: Apocalypse Blues by Walter Greatshell
- Generation Dead by Daniel Waters
- Dead Set DVD
- Grace DVD
- Biomega #1 manga comic
News: Dymocks Southland Bestselling Dark Fiction Titles for April 2011
1. Dead Reckoning (Sookie Stackhouse #11) - Charlaine Harris
2. Lover Unleashed (Black Dagger Brotherhood) - J. R. Ward
3. Afterlife (Evernight #4) - Claudia Gray
4. Department 19 - Will Hill
5. A Discovery of Witches - Deborah Harkness
6. The Picture of Dorian Gray - Oscar Wilde
7. Feed - Mira Grant
8. Pride & Prejudice & Zombies: Dreadfully Ever After - Steve Hockensmith
9. Dead City - Joe McKinney
10. The Twilight Saga: The Official Illustrated Guide
2. Lover Unleashed (Black Dagger Brotherhood) - J. R. Ward
3. Afterlife (Evernight #4) - Claudia Gray
4. Department 19 - Will Hill
5. A Discovery of Witches - Deborah Harkness
6. The Picture of Dorian Gray - Oscar Wilde
7. Feed - Mira Grant
8. Pride & Prejudice & Zombies: Dreadfully Ever After - Steve Hockensmith
9. Dead City - Joe McKinney
10. The Twilight Saga: The Official Illustrated Guide
Labels:
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dymocks southland,
News
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Tuesday, May 03, 2011
Review: Concrete Jungle
Concrete Jungle
by Brett McBean
Date Published: December 2010
Publisher: Tasmaniac Publications
ISBN: 9780980636772
RRP: $14.00
Reviewed by Matthew Tait
In this, the first of a trilogy, Mother Nature has decided to recycle the earth and spade it under with a fresh Eden. Caught in the tumult are a small cabal of luckless survivors who are trapped in a Melbourne shopping centre car park late one night near closing time. Paul is a dead-beat Dad on the fringe, making a last minute pit-stop to buy a present for a birthday he almost forgot. Beth and emo daughter Candice have stocked up on movies so Candice doesn’t get bored grounded at home. Harold is a survivor of World War 2 … a man who will soon endure jungle horrors far worse than he ever had to face on the battlefield. And Bruce is just a desperate loner who sees the cataclysm as the perfect excuse for a man to return to a more primitive existence where morals and the rule of law simply do not exist.
by Brett McBean
Date Published: December 2010
Publisher: Tasmaniac Publications
ISBN: 9780980636772
RRP: $14.00
Reviewed by Matthew Tait
In this, the first of a trilogy, Mother Nature has decided to recycle the earth and spade it under with a fresh Eden. Caught in the tumult are a small cabal of luckless survivors who are trapped in a Melbourne shopping centre car park late one night near closing time. Paul is a dead-beat Dad on the fringe, making a last minute pit-stop to buy a present for a birthday he almost forgot. Beth and emo daughter Candice have stocked up on movies so Candice doesn’t get bored grounded at home. Harold is a survivor of World War 2 … a man who will soon endure jungle horrors far worse than he ever had to face on the battlefield. And Bruce is just a desperate loner who sees the cataclysm as the perfect excuse for a man to return to a more primitive existence where morals and the rule of law simply do not exist.
Upon Concrete Jungle first being released I will admit my enthusiasm wasn’t high. The cover illustration from a distance seemed to suggest this was mid-range Brett or something of filler in between longer projects. But it’s a judgment that I now regret … and goes to show there is talent in this country that consistently produces quality work. Moreover, I highly doubt Brett lends his voice to anything half-heartedly or merely churns out something at the behest of an editor. Concrete Jungle might well be The Day of the Triffids told from the unique scaffold of Brett’s imagination, but it’s still a narrative with biting simplicity and more than enough lure to hook a reader.
Standing at a short and sweet 160 pages, this is a species of horror without conscience. On more than one occasion I’ve mentioned the similarities Brett has with an author like Richard Laymon - and it’s still evident here, but imbued throughout with refreshing Australian verisimilitude and references. A few errors jumped out. In one particular stanza the author describes the smell of meat cooking ‘glorious’ but goes on to say mere paragraphs later the smell of cooked rat was ‘mildly appetizing’. But viewed as a whole the writing and editing is crisp with short, choppy chapters not bogged down with weighty or numbered sections. Characterization is right on the money – you will care whether these people live or die. And in the modern horror novel, that will be something ultimately on the menu. Welcome to the jungle.
The Australian small press Tasmaniac Publications just keeps improving its product, and a reader will find the interspersed illustrations by Keith Minion and Steve Crisp more than adequate for the tale. There is a whole universe to explore with Concrete Jungle, and we are provided with two other tales set in the same wilds. Local writer and reviewer Tim Kroenert gives us an utterly funny but dark underscore with Lullaby – it’s the tale of misfit musicians and fans who just happened to be at a concert when the green hell broke loose. Also included is The Cage by Nate Kenyon – Nate takes a look at what prison life would be like for guards and prisoners alike in this post-apocalyptic forest. Another one with droll results. Thankfully with this review I can happily point out copies still remain and the sequel Neighborhood Jungle is available to pre-order.
Friday, April 29, 2011
News: Midnight Echo #6 line-up announced
The Australian Horror Writers Association has announced the line-up of the sixth issue of its official fiction magazine, Midnight Echo. This edition has the theme of science fiction horror.
The nine stories are set in the far future and take place in the distant reaches of space. Inside, you’ll discover a strange world with a planetary ring forged from organic matter, bizarre aliens cataloguing and collecting humans to populate their idea of paradise, Lovecraftian horrors come to life in the heart of a comet, cybernetic monsters hunting humans in the hull of an abandoned star ship, and paranoid space explorers pushed to their limits at the frontier of an uncharted universe.
Stories have been penned by various renowned speculative fiction authors from Australia and the United States, including:
Emerging talented authors include Helen Stubbs, Alan Baxter, Andrew J. McKiernan, Mark Farrugia, and poet Jenny Blackford.
The issue will feature an in depth interview with Charles Stross, one of the most imaginative and insightful science fiction authors writing today. Stross has been honoured with two Hugo awards and Locus Reader awards, and has published more than a dozen novels, including Saturn’s Children and The Fuller Memorandum. He talks to David Conyers for Midnight Echo about his Lovecrafitan science fiction horror series, The Laundry, and his latest novel, Rule 34.
A second interview is with Chris Moore, world renowned British science fiction artist best known for his striking covers for Orion Publishing’s SF Masterworks series and for his official wallpaper art for film The Empire Strikes Back. Insights are gained into Moore’s process for achieving his striking and imaginative art, and the many changes he has been facing in the publishing industry since he began illustrating in the 1970s.
The cover for Midnight Echo 6, ‘Strange Behaviour’, is a creation of talented UK artist, Paul Drummond, who will be well-known to readers of Interzone for his striking depictions of star ships, futuristic humans and robots.
Featured interior illustrators include:
Midnight Echo 6: The Science Fiction Horror Special, has been edited by South Australian trio, David Kernot (editor of Andromeda Spaceways Inflight Magazine), Jason Fischer (Writers of the Future winner and Aurealis nominee), and David Conyers (author of The Eye of Infinity, The Spiraling Worm and co-editor of Cthulhu Unbound 3), and is due for release in November 2011.
Further details on Midnight Echo can be found at http://www.australianhorror.com/
Previous issues of Midnight Echo can be purchased at http://www.shop.australianhorror.com/
Source: AHWA
The nine stories are set in the far future and take place in the distant reaches of space. Inside, you’ll discover a strange world with a planetary ring forged from organic matter, bizarre aliens cataloguing and collecting humans to populate their idea of paradise, Lovecraftian horrors come to life in the heart of a comet, cybernetic monsters hunting humans in the hull of an abandoned star ship, and paranoid space explorers pushed to their limits at the frontier of an uncharted universe.
Stories have been penned by various renowned speculative fiction authors from Australia and the United States, including:
- Cody Goodfellow – editor of Perilous Press and author of Radiant Dawn and Silent Weapons for Quiet Wars
- Cat Sparks – fiction editor for Cosmos Magazine and multiple Aurealis Award winning author
- Stephen Dedman – Australian science fiction veteran and author of Shadows Bite and Foreign Bodies
- Shane Jiraiya Cummings – author of Phoenix and the Darkness of Wolves
- Joanne Anderton – author of upcoming novel Debris
Emerging talented authors include Helen Stubbs, Alan Baxter, Andrew J. McKiernan, Mark Farrugia, and poet Jenny Blackford.
The issue will feature an in depth interview with Charles Stross, one of the most imaginative and insightful science fiction authors writing today. Stross has been honoured with two Hugo awards and Locus Reader awards, and has published more than a dozen novels, including Saturn’s Children and The Fuller Memorandum. He talks to David Conyers for Midnight Echo about his Lovecrafitan science fiction horror series, The Laundry, and his latest novel, Rule 34.
A second interview is with Chris Moore, world renowned British science fiction artist best known for his striking covers for Orion Publishing’s SF Masterworks series and for his official wallpaper art for film The Empire Strikes Back. Insights are gained into Moore’s process for achieving his striking and imaginative art, and the many changes he has been facing in the publishing industry since he began illustrating in the 1970s.
The cover for Midnight Echo 6, ‘Strange Behaviour’, is a creation of talented UK artist, Paul Drummond, who will be well-known to readers of Interzone for his striking depictions of star ships, futuristic humans and robots.
Featured interior illustrators include:
- Steve Gilberts – Apex Digest, Space and Time, and Book of Dark Wisdom
- David Lee Ingersoll – The Black Seal and Worlds of Cthulhu
- Olivia Kernot – Andromeda Spaceways Inflight Magazine
- Nathan Wyckoff – Jumpgates Comics
Midnight Echo 6: The Science Fiction Horror Special, has been edited by South Australian trio, David Kernot (editor of Andromeda Spaceways Inflight Magazine), Jason Fischer (Writers of the Future winner and Aurealis nominee), and David Conyers (author of The Eye of Infinity, The Spiraling Worm and co-editor of Cthulhu Unbound 3), and is due for release in November 2011.
Further details on Midnight Echo can be found at http://www.australianhorror.com/
Previous issues of Midnight Echo can be purchased at http://www.shop.australianhorror.com/
Source: AHWA
News: Garth Nix to MC Aurealis Awards
SpecFaction NSW, organisers of the 2010 Aurealis Awards, has announced that Garth Nix will act as Master of Ceremonies at the gala presentation evening on 21 May in Sydney.
A multiple Aurealis Awards winner, Garth Nix lives in Sydney. A full-time writer since 2001, Garth’s books include the award-winning fantasy novels Sabriel, Lirael, and Abhorsen; and the cult favourite novel for young adults, Shade’s Children. His fantasy novels for children include The Ragwitch; the six books of The Seventh Tower sequence, The Keys to the Kingdom series, and (with Sean Williams) a new series beginning in 2011 called Troubletwisters.
Garth will be joined by a range of presenters including; Ian Irvine, Sean Williams, Traci Harding, Richard Harland, Nick Stathopoulos, Tansy Rayner Roberts, and Kaaron Warren.
The winners of the 2010 Aurealis Awards and the Peter McNamara Convenors Award will be announced at the Aurealis Awards ceremony, sponsored by HarperVoyager, on the evening of Saturday May 21 at The Independent Theatre in North Sydney.
Details of the evening and a link to the online booking website are available at www.aurealisawards.com.
Source: SpecFaction NSW
A multiple Aurealis Awards winner, Garth Nix lives in Sydney. A full-time writer since 2001, Garth’s books include the award-winning fantasy novels Sabriel, Lirael, and Abhorsen; and the cult favourite novel for young adults, Shade’s Children. His fantasy novels for children include The Ragwitch; the six books of The Seventh Tower sequence, The Keys to the Kingdom series, and (with Sean Williams) a new series beginning in 2011 called Troubletwisters.
Garth will be joined by a range of presenters including; Ian Irvine, Sean Williams, Traci Harding, Richard Harland, Nick Stathopoulos, Tansy Rayner Roberts, and Kaaron Warren.
The winners of the 2010 Aurealis Awards and the Peter McNamara Convenors Award will be announced at the Aurealis Awards ceremony, sponsored by HarperVoyager, on the evening of Saturday May 21 at The Independent Theatre in North Sydney.
Details of the evening and a link to the online booking website are available at www.aurealisawards.com.
Source: SpecFaction NSW
Review: ASIM #50
Andromeda Spaceways Inflight Magazine chalks up its half century with this special milestone edition of the light-hearted spec-fic magazine. Keeping in the co-op spirit of the magazine’s formation, the issue is co-edited by 10 of the group’s editors (each got to pick one or two stories for the issue) and features 13 new morsals of short fiction and two poems.After forays into darker fiction and harder sci-fi, the issue returns to the magazine’s roots of fun, fluffy, humorous fiction. The editors’ selections work surprisingly well together, highlighting the spectrum of fiction the magazine champions, but maintaining a consistent tone as to not distract the reader.
The issue also marks the last of the magazine’s bimonthly schedule and will be reformatted as a thicker, quarterly release from here on out.
The enjoyment of the work will depend on your particular tastes, but as always there is enough variety to ensure you’ll find something you like. Personal standouts included Mark Lee Pearson’s Whaling the Multiverse – an original sci-fi high seas adventure about a boy who attracts whales with his voice; Nicole R Murphy’s darkly sweet The Fairy King’s Child about a young girl who finds refuge in the land of the fae after escaping an abusive relationship; and Dennis J Pale’s Morrow Street – a gritty, urban cyberpunk tale with descriptions so vivid you can almost smell the sidewalk.
Debbie Cowen’s chips in with a fun twist on dragon lore with The Truth About Dragons, while Shona Husk’s Skull Jeweller’s Apprentice and Damien Walters Grintalis’ A Glimpse of Nothing in Silvered Glass draw us into original worlds through great characterisation and prose. Husk’s story about a jeweller who considers taking on an ex-soldier as an apprentice is particularly powerful, binding us to the characters as the jeweller deliberates on a simple, yet life-changing decision. The only criticism would be that the story feels like only a snippet of this pair’s journey, and I wanted to read on and discover what happened next.
Anthony Panegyres’ The Wine Endures about a man who marries the daughter of a god is also a great read and a example of how well ancient myths can be mashed up with the modern world to create a fresh take on old troupes.
The issue also included stories by Ian McHugh, Barry Kirwan, Robert P Switzer, Natasha Simonova and Mark D West but I struggled to get into these. I don't think it was an issue of quality, more an example of personal taste as many of these represented more traditional science-fiction elements.
ASIM is available as a single issue or annual subscription in print and PDF formats.
Wednesday, April 20, 2011
Review: Minion
Minion (A Vampire Huntress Legend)
by L.A. Banks
Date Published: 2010
Publisher: Gollancz
ISBN: 9780575094598
Format: paperback
Pages: 304
RRP: $19.99
Reviewed by Gillian Polack
Minion is set in a dark world where vampires and various other night creatures are a very real danger to human beings. They kill them and change them and worse. Into the darkness, a slayer is… not quite, but close. Damali Richards is very much the Chosen One. She is The Neteru, who will fight evil. She is, in fact, the Millennium Neteru and the balance of Light and Dark will be at her disposal. The cover blurb explains it as "There is one woman who is all that stands between us and the eternal night." Except that, like Buffy, she is young. She has to deal with a great deal for a young woman and the novel suggests that things are going to get worse before they get better.
This is beginning to sound as if it's a "If you like this, you'll like that" type of book. To some extent, it is. There are distinct Whedon parallels. There is, however, one significant factor that makes it draw apart. For one thing, the culture isn't White America, it's Black and Hispanic America. This is a significant improvement on most books of its kind - the underlying culture makes a difference. The language isn't international language and the cultures of the people are very strong and specific. This is the book's greatest strength. The other is its characterisation, which is (for the most part) very strong.
Minion's weakness is in the last section. Banks builds to a cliff hanger, since this is part of a series. Nothing wrong with that. Where the book fails, however, is that as part of the building there are long passive scenes. Just when the book gets up to full speed and the reader should expect to go hurtling downhill with no way of stopping, therefore, the narrative slides to a complete halt while the background for the next novel is explained.
When Minion is in action-mode, however, it is excellent. Gritty and dangerous and dark. The writing is taut and the dialogue convincing. If the world building and back-story had been more gently layered in with this darkness and speed, then it would have been a very good book indeed.
by L.A. Banks
Date Published: 2010
Publisher: Gollancz
ISBN: 9780575094598
Format: paperback
Pages: 304
RRP: $19.99
Reviewed by Gillian Polack
Minion is set in a dark world where vampires and various other night creatures are a very real danger to human beings. They kill them and change them and worse. Into the darkness, a slayer is… not quite, but close. Damali Richards is very much the Chosen One. She is The Neteru, who will fight evil. She is, in fact, the Millennium Neteru and the balance of Light and Dark will be at her disposal. The cover blurb explains it as "There is one woman who is all that stands between us and the eternal night." Except that, like Buffy, she is young. She has to deal with a great deal for a young woman and the novel suggests that things are going to get worse before they get better.
This is beginning to sound as if it's a "If you like this, you'll like that" type of book. To some extent, it is. There are distinct Whedon parallels. There is, however, one significant factor that makes it draw apart. For one thing, the culture isn't White America, it's Black and Hispanic America. This is a significant improvement on most books of its kind - the underlying culture makes a difference. The language isn't international language and the cultures of the people are very strong and specific. This is the book's greatest strength. The other is its characterisation, which is (for the most part) very strong.
Minion's weakness is in the last section. Banks builds to a cliff hanger, since this is part of a series. Nothing wrong with that. Where the book fails, however, is that as part of the building there are long passive scenes. Just when the book gets up to full speed and the reader should expect to go hurtling downhill with no way of stopping, therefore, the narrative slides to a complete halt while the background for the next novel is explained.
When Minion is in action-mode, however, it is excellent. Gritty and dangerous and dark. The writing is taut and the dialogue convincing. If the world building and back-story had been more gently layered in with this darkness and speed, then it would have been a very good book indeed.
Labels:
Gillian Polack,
L. A. Banks,
Minion,
Review
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Monday, April 18, 2011
News: Contents Announced for The Year's Best Australian Fantasy And Horror
Ticonderoga Publications is walking on sunshine to announce the contents for its inaugural The Year's Best Australian Fantasy and Horror anthology.Editors Liz Grzyb and Talie Helene have produced a list of 33 excellent tales by some of Australia's biggest names as well as some emerging writers.
The anthology collects 150,000 words of the best stories published last year from the Antipodes.
"We're pleased with the number of fabulous stories that were published in 2010 that we had to choose from,” Liz Grzyb said.
"You could hold this anthology up against any international collection - Australians rock for diverse voices, imagination, and compelling writing," Talie Helene added.
The stories are (alphabetically by writer):
- RJ Astruc - Johnny and Babushka
- Peter M Ball - L'esprit de L'escalier
- Alan Baxter - The King's Accord
- Jenny Blackford - Mirror
- Gitte Christensen - A Sweet Story
- Matthew Chrulew - Schubert By Candlelight
- Bill Congreve - Ghia Likes Food
- Rjurik Davidson - Lovers In Caeli-Amur
- Felicity Dowker - After The Jump
- Dale Elvy - Night Shift
- Jason Fischer - The School Bus
- Dirk Flinthart - Walker
- Bob Franklin - Children's Story
- Christopher Green - Where We Go To Be Made Lighter
- Paul Haines - High Tide At Hot Water Beach
- Lisa L. Hannett - Soil From My Fingers
- Stephen M. Irwin - Hive
- Gary Kemble - Feast Or Famine
- Pete Kempshall - Brave Face
- Tessa Kum - Acception
- Martin Livings - Home
- Maxine McArthur - A Pearling Tale
- Kirstyn McDermott - She Said
- Andrew J. McKiernan - The Memory Of Water
- Ben Peek - White Crocodile Jazz
- Simon Petrie - Dark Rendezvous
- Lezli Robyn - Anne-droid of Green Gables
- Angela Rega - Slow Cookin'
- Angela Slatter - The Bone Mother
- Angela Slatter & Lisa L Hannett - The February Dragon
- Grant Stone - Wood
- Kaaron Warren - That Girl
- Janeen Webb - Manifest Destiny
In addition to the above incredible tales, the volume will include a review of 2010 and a list of recommended stories.
The editors will shortly begin reading for the second volume of The Year's Best Australian Fantasy and Horror. Details are available from the
Ticonderoga Publications website ticonderogapublications.com.
The anthology is scheduled for publication in June 2011. The anthology will be available in hardcover, ebook and trade editions and may be
pre-ordered at indiebooksonline.com.
Source: Ticonderoga Publications
Review: Shadow
(Book Two of Pendulum)
by Will Elliott
Date Published: 01/01/2011
Publisher: Harper Voyager
ISBN: 9780732289485
RRP: $22.95
Reviewed by Stephanie Gunn
Shadow is the second book in Will Elliot’s dark fantasy trilogy, Pendulum. The first book was Pilgrim (reviewed at Horrorscope here) and the forthcoming third book will be entitled World’s End.
In Pilgrim, Eric Albright and Stuart Case found their way through a small red door into a world adjacent to Earth, Levaal. Levaal is a world filled with magic and magical creatures, including mages, winged Invia, Gods and dragons. Eric and Case were drawn into a magical quest as “Pilgrims” from Earth as Vous, the power ruling in the Castle, aimed towards Godhood.
Shadow takes the reader deeper into Levaal as it follows the continuing story of Eric and Case. Vous’ reach towards Godhood is getting closer as, at the same time, he moves towards madness, the Arch Mage struggling to contain him. Chaos is beginning to reign in Levaal, the Wall at World’s End gone, and the dragons possibly beginning to escape from their sky prison. And in the South, a mysterious being called Shadow has risen, and seems inextricably entwined with Eric.
The first two books of the Pendulum trilogy mark an ambitious turn at dark fantasy. While well-read readers will recognise a lot of the common tropes of fantasy, Elliott colours it all with his own view, making something original and truly his. His turn at pure horror in the award-winning The Pilo Family Circus had a strong Australian flavour, something that creeps also into the Pendulum books.
There’s a lot to enjoy here. Eric as a main character is very real, and viewing the strange world of Levaal through his eyes makes it, in turn, feel as real. The world itself is fascinating, and several images in the book will linger with you long after you’ve finished the last page. It is very, very easy to believe, at times, that if you found that red door, you, too, would walk through into the world of Levaal and find magic.
There are some issues with this book. The first book in the trilogy felt a lot more grounded than this one. At times, it feels as though there are too many characters to follow, with many of the secondary characters suffering from not being fleshed out enough, and therefore not being memorable. The female characters, in particular, feel as though they slip into stereotype.
That aside, Elliott has created an extraordinarily vivid fantasy world and a protagonist who is real and gritty and always human. If you’re a fan of Elliott’s work and dark fantasy, this series as it stands is recommended. As a fair warning, though, you’ll be waiting for the release of the third book with bated breath.
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